Latest Events in Waltham Forest(May Updated)

Showcasing the remarkable versatility and lasting influence of William Morris’s designs in popular culture, both in Britain and abroad. William Morris (1834-96) has gone viral. Today, we find his infinitely-reproduced botanical patterns on shower curtains, phone cases, on film and TV, and in all corners of our homes, dentist waiting rooms and shopping centres. One of our greatest designers, Morris argued that beautiful objects could only be created through a responsible and close relationship with the natural world and enjoyable, creative working conditions. These principles continue to influence subsequent generations of designers, makers and consumers today. Morris Mania will explore a complicated legacy. Over 125 years since his death, Morris’s work continues to grow in popularity. His patterns are now affordable, well-loved and available to people across the globe, something he failed to achieve in his lifetime. However, this has been achieved in the context of mass-production, computer-generated design, global capitalism and environmental crisis. Morris Mania will consider the ongoing impact of Britain’s most iconic designer in our increasingly cluttered and commodified world.

Showcasing the remarkable versatility and lasting influence of William Morris’s designs in popular culture, both in Britain and abroad. William Morris (1834-96) has gone viral. Today, we find his infinitely-reproduced botanical patterns on shower curtains, phone cases, on film and TV, and in all corners of our homes, dentist waiting rooms and shopping centres. One of our greatest designers, Morris argued that beautiful objects could only be created through a responsible and close relationship with the natural world and enjoyable, creative working conditions. These principles continue to influence subsequent generations of designers, makers and consumers today. Morris Mania will explore a complicated legacy. Over 125 years since his death, Morris’s work continues to grow in popularity. His patterns are now affordable, well-loved and available to people across the globe, something he failed to achieve in his lifetime. However, this has been achieved in the context of mass-production, computer-generated design, global capitalism and environmental crisis. Morris Mania will consider the ongoing impact of Britain’s most iconic designer in our increasingly cluttered and commodified world.

Showcasing the remarkable versatility and lasting influence of William Morris’s designs in popular culture, both in Britain and abroad. William Morris (1834-96) has gone viral. Today, we find his infinitely-reproduced botanical patterns on shower curtains, phone cases, on film and TV, and in all corners of our homes, dentist waiting rooms and shopping centres. One of our greatest designers, Morris argued that beautiful objects could only be created through a responsible and close relationship with the natural world and enjoyable, creative working conditions. These principles continue to influence subsequent generations of designers, makers and consumers today. Morris Mania will explore a complicated legacy. Over 125 years since his death, Morris’s work continues to grow in popularity. His patterns are now affordable, well-loved and available to people across the globe, something he failed to achieve in his lifetime. However, this has been achieved in the context of mass-production, computer-generated design, global capitalism and environmental crisis. Morris Mania will consider the ongoing impact of Britain’s most iconic designer in our increasingly cluttered and commodified world.

Dear Guests, Join us for a deliciously creative experience, a feast of drawing with the senses! As we gather at the table, we’ll create, curate, and exhibitour very own artworks in a playful, hands-on exploration of art and perception. What is the Workshop & Exhibition?This unique 2-day workshop is your chance to experience how artists work from creating to showing in a professional gallery over a weekend. We are creating artwork for exhibition during this exhilarating weekend. What is the Feast of Senses? At the heart of this experience is the theme of feasting—where art and food come together in unexpected ways! In this immersive, guided workshop, we invite you to swap forks and knives for graphite and charcoal, open your senses to be inspired, and experiment with new ways of creating. Smell the aroma, touch the texture, observe the form, listen to their sound — discover how your senses shape your way of art making. Day 1 - Create We’ll journey through the full creative cycle—taking inspiration from a delectable still-life installation, experimenting with different ways of creative expression, and curating your work on the gallery walls. With the help of playful prompts and experiments, we will work with ink, charcoal, and collage, exploring drawing through touch, sight, smell, and sound. A true feast for the senses, this workshop will help you unlock new ways of seeing, creating, and experiencing art. Come hungry for creativity! Day 2 - Exhibit Join us as we exhibit our artwork at Winns Gallery on Sunday. Share the experience with friends and family in a professional setting alongside other artists. We will celebrate creativity with all our guests coming to see the show. This workshop + exhibition weekend is all about exploration, experimentation, and fun—perfect for anyone who’s curious, creative, or just ready to try something new. Whether you’re an experienced artist or a complete beginner, you’ll walk away feeling inspired and empowered. What to Expect for the Weekend: Playful, sensory-driven drawing using touch, sound, and smellCreative & collaborative prompts that spark new ways of making artHands-on curation—arrange and display your artwork in a galleryFun, experimental environment to explore and learnExhibition opens Sunday - invite your friends and family to see your work on the wallsPre-Workshop Prep: Work As An Artist We’ll guide and prepare every participant through a creative journey—just like how artists approach their work, starting with gathering inspiration. Part I - Tate Modern Kick things off with a fun and sociable visual research activity at Tate Modern, where we’ll explore artworks together and spark ideas for your own creations. https://www.eventbrite.co.uk/e/1292593705569?aff=oddtdtcreator Part II - Visual Research We’ll share a curated Pinterest board with all participants to help fuel your imagination in the days leading up to the workshop weekend. Part III - Exhibition Info Pack Each participant—yes, that means you—will receive a detailed info pack about the venue and exhibition, so you're all set to showcase your work like a pro. Come explore, create, and exhibit with us. You don’t need to be a professional artist—just bring your curiosity and creativity! About Island Drawing Lab Island drawing lab is a series of experimental workshops started by the dynamic duo, Danlu and Kelly. We are passionate about fostering collaboration between different disciplines, and make art fun and accessible. Danlu is a visual artist and theatre maker. With a passion for unraveling the mysteries of the human experience, she uses art creation as a way to connect with people and unveil the extraordinary hidden within the ordinary. Danlu received her BA in Visual Arts from Columbia University in New York. She has performed devised theatre piece Of the Cut at Young Vic, and exhibited her paintings at Tate Modern. Kelly is a portrait artist and educator with a background in architecture. Kellys paintings explore the themes of identity, memory, and relationships. Kelly studied at The Bartlett UCL and had Atelier training in Barcelona. Kelly has exhibited in numerous national galleries and is two time contestant on Sky Portrait Artist of the Year. Information Source: Island Drawing Lab | eventbrite

Welcome to the FIFA Tournament at Monoux Sixth Form College! Come and show off your gaming skills at our exciting event taking place at Sir George Monoux Sixth Form College. Compete against your friends and fellow students in a thrilling FIFA tournament. Join us for a day filled with intense matches, friendly competition, and lots of fun. Whether you're a casual player or a seasoned pro, this event is perfect for all FIFA enthusiasts. Don't miss out on the chance to be crowned the FIFA champion of Monoux Sixth Form College. Bring your A-game and get ready for an epic gaming experience! Information Source: eventbrite

Zumba with Ivy! Come join us for a fun and energetic Zumba session with the amazing instructor Ivy! Get ready to dance, sweat, and have a great time while getting in shape. No experience necessary, just bring your enthusiasm and get ready to move your body to the rhythm of the music. Date: Sat Jan 18 2025 Time: 12:00 PM GMT Location: Better Gym Walthamstow Stadium Don't miss out on this opportunity to have a blast while working out. See you there! Note: ADULTS ONLY! Information Source: eventbrite

Art Without Heroes: Mingei is the largest ever exhibition in the UK dedicated to Mingei, the influential folk-craft movement that developed in Japan in the 1920s and 1930s. With more than 80 works, including ceramics, woodwork, paper, toys, textiles, photography and film, the exhibition will incorporate unseen pieces from significant private collections in the UK and Japan, along with museum loans. Mingei is a term coined by the Japanese philosopher and critic Yanagi Sōetsu (1889-1961) to mean ‘the art of the people’ and ascribes cultural value and aesthetic purity to traditional craft objects, unnamed makers and a simpler way of life. The exhibition will consider Mingei both as a historical moment and as a set of principles that remain relevant to contemporary craft, manufacturing and material consumerism worldwide. Like the British Arts and Crafts movement, Mingei was a response to rapid industrialisation. Mingei developed in dialogue with the work of William Morris and his contemporaries, within a specifically Japanese context that included the strong influence of Pure Land Buddhism. The exhibition will also introduce the significance of Korean, Okinawan and Ainu objects to the Mingei movement, showing how these independent cultures contributed to what tends to be seen as a quintessentially Japanese aesthetic. Divided into three parts, the exhibition will start with the 19th-century craft objects the Mingei movement looked to for inspiration. The second part of the exhibition will focus on the origin and evolution of the Mingei movement during the 20th century. Spearheaded by Yanagi, Japanese studio potter Hamada Shōji (1894-1978) and British studio potter Bernard Leach (1887-1979), it proposed an alternative to the rise of industrialism that accompanied the modernisation of Japanese society. Together Yanagi, Hamada and Leach, who described themselves as the ‘three musketeers’, championed the Mingei ideals of ‘art without heroes’, true beauty and traditional craft skills, leading a revival of interest in folk crafts. The final section of the exhibition will consider 21st-century iterations of the Mingei movement and modern re-interpretations of its core values. It will also show how the term ‘Mingei’ has been reinterpreted and reclaimed by contemporary artists, including work by Theaster Gates which explores the spiritual and artistic dialogue between Black and Japanese craft traditions, a key concern of his practice. Designed by Hayatsu Architects and graphic design studio Stinsensqueeze, the exhibition will be accompanied by a major new publication by Yale University Press edited by curator Roisin Inglesby. Art Without Heroes: Mingei is supported by The Great Britain Sasakawa Foundation. Image: Hamada demonstrating in California c. 1950s. From the collections of the Crafts Study Centre, University for the Creative Arts.

Art Without Heroes: Mingei is the largest ever exhibition in the UK dedicated to Mingei, the influential folk-craft movement that developed in Japan in the 1920s and 1930s. With more than 80 works, including ceramics, woodwork, paper, toys, textiles, photography and film, the exhibition will incorporate unseen pieces from significant private collections in the UK and Japan, along with museum loans. Mingei is a term coined by the Japanese philosopher and critic Yanagi Sōetsu (1889-1961) to mean ‘the art of the people’ and ascribes cultural value and aesthetic purity to traditional craft objects, unnamed makers and a simpler way of life. The exhibition will consider Mingei both as a historical moment and as a set of principles that remain relevant to contemporary craft, manufacturing and material consumerism worldwide. Like the British Arts and Crafts movement, Mingei was a response to rapid industrialisation. Mingei developed in dialogue with the work of William Morris and his contemporaries, within a specifically Japanese context that included the strong influence of Pure Land Buddhism. The exhibition will also introduce the significance of Korean, Okinawan and Ainu objects to the Mingei movement, showing how these independent cultures contributed to what tends to be seen as a quintessentially Japanese aesthetic. Divided into three parts, the exhibition will start with the 19th-century craft objects the Mingei movement looked to for inspiration. The second part of the exhibition will focus on the origin and evolution of the Mingei movement during the 20th century. Spearheaded by Yanagi, Japanese studio potter Hamada Shōji (1894-1978) and British studio potter Bernard Leach (1887-1979), it proposed an alternative to the rise of industrialism that accompanied the modernisation of Japanese society. Together Yanagi, Hamada and Leach, who described themselves as the ‘three musketeers’, championed the Mingei ideals of ‘art without heroes’, true beauty and traditional craft skills, leading a revival of interest in folk crafts. The final section of the exhibition will consider 21st-century iterations of the Mingei movement and modern re-interpretations of its core values. It will also show how the term ‘Mingei’ has been reinterpreted and reclaimed by contemporary artists, including work by Theaster Gates which explores the spiritual and artistic dialogue between Black and Japanese craft traditions, a key concern of his practice. Designed by Hayatsu Architects and graphic design studio Stinsensqueeze, the exhibition will be accompanied by a major new publication by Yale University Press edited by curator Roisin Inglesby. Art Without Heroes: Mingei is supported by The Great Britain Sasakawa Foundation. Image: Hamada demonstrating in California c. 1950s. From the collections of the Crafts Study Centre, University for the Creative Arts.

Discover the art of Traditional Caribbean, Traditional African, and Gospel Fusion dance styles at the upcoming "Global Rhythms – Dancing Through Cultures" workshop in London. The Storytelling Lab presents this immersive 3-hour experience, the first of its masterclass series, designed to showcase the diverse dance traditions from around the world. Led by seasoned instructors, participants will delve into the rhythmic movements of traditional Caribbean folk, feel the energy of live drumming in traditional African dances, and groove to the soulful beats of gospel fusion. Perfect for beginners, the workshop offers a step-by-step breakdown of each dance style. The event will take place on May 25th, 2024, at the South Chingford Congregational Church. Join us for an enriching journey through cultures, from 2:00 pm to 6:00 pm, including sessions with Lotoya for Traditional Caribbean Folk Dance, Nicky for Gospel Fusion Dance, and Felix for Traditional African Dance with Live Drumming. Secure your spot today for an unforgettable dance experience. Ticket prices range from £8.30 to £29.96.

Experience the Art workshop for children at the Wild Anatomies Exhibition in London. Led by artist Lynn Hatzius, this 2-hour workshop at 228 Chingford Mount Rd delves into the world of symmetry and patterns in human and plant anatomy. Children aged 6 and above will engage in paper cutting and printmaking techniques, requiring proficiency with scissors. The workshop, taking place on June 8th, 2024, offers a unique opportunity for children to find inspiration in the surrounding artwork and natural objects provided by Lynn. All necessary materials, along with a healthy snack and drink, will be provided. Parents are required to remain present throughout the session. Tickets are priced at £15, and participation promises a creative and educational experience for young minds.

Morning session 10:30am-12:30pm Part 1: Pattern Play: Textures & Marks In this playful morning workshop, you’ll experiment with wet and dry techniques to create unique textures on paper. Explore paint, ink, and mono-printing to craft striking collage materials while embracing the joy of creative play and experimentation in a relaxed, hands-on setting. 12:30-1:30pm We will break for lunch Afternoon session 1:30pm- 4pm Part 2: Flow & Form: Creative Collage Exploration After lunch, we’ll play with composition and layering using your handmade papers to create collaged artworks. We'll explore collagraphs, a printmaking technique using collage with ink and a printing press to create embossed layered colourful artworks. All materials included. Recommended for age 12+ Information Source: Press & Pattern Pop-up Studio | eventbrite

Part of the William Morris & Art from the Islamic World events programme. This hands-on workshop invites participants to explore the intricate relationship between textiles, patterns, and cultural heritage, drawing inspiration from the William Morris & Art from the Islamic World exhibition. Through the lens of William Morris’s work, known for its rich detail and connection to both Islamic art and design traditions, participants will delve into the beauty and craftsmanship of fabrics and patterns as key storytelling elements. During the workshop, we will examine some of the materials on display, particularly the fabrics that influenced Morris’s designs, alongside similar textiles and prints from the Islamic world. Dana will share insights into the materials they use in their own practice. Participants will then create their own mixed-material accessory or fabric collages, combining Morris-inspired patterns with elements of Islamic artistry and fabrics (for example velvet, damask etc..) coins, beads, and other elements, all of which help tell a story of cultural exchange, history, and identity. By blending these influences with collected materials, each participant will infuse their personal style into their creation. For adults (18+) Tickets: pay by donation (suggested £10) If booking for more than one person, you will be asked for this information when confirming your booking. Information Source: William Morris Gallery | eventbrite

An Ottoman quilt, Iznik tiles, Turkish and Iranian textiles, carpets and metalwork are among the stunning objects in this gorgeous exhibition which sets out to explore Morris’s fascination with the arts from the Islamic world and their impact on his designs, in particular textiles and wallpapers, and their influence on the Arts and Crafts Movement. Rowan Bain, Curator, William Morris Gallery will guide us. Information Source: Dilettanti | eventbrite