Featured Events in Chicago in December 2024: Concerts, Shows, Fairs, Calendar&Tickets (March Updated)

Pan-Africanism, first named and theorized around 1900, is commonly regarded as an umbrella term for political movements that have advanced the call for both individual self-determination and global solidarity among peoples of African descent. It has yet to be fully examined as a worldview that takes its force from art and culture.As the first major exhibition to survey Pan-Africanism’s cultural manifestations, Project a Black Planet: The Art and Culture of Panafrica gathers together some 350 objects, spanning the 1920s to the present, made by artists on four continents: Africa, North and South America, and Europe. Panafrica, the promised land named in the exhibition title, is presented as a conceptual place where arguments about decolonization, solidarity, and freedom are advanced and negotiated with the aim of an emancipatory future.

Pan-Africanism, first named and theorized around 1900, is commonly regarded as an umbrella term for political movements that have advanced the call for both individual self-determination and global solidarity among peoples of African descent. It has yet to be fully examined as a worldview that takes its force from art and culture.As the first major exhibition to survey Pan-Africanism’s cultural manifestations, Project a Black Planet: The Art and Culture of Panafrica gathers together some 350 objects, spanning the 1920s to the present, made by artists on four continents: Africa, North and South America, and Europe. Panafrica, the promised land named in the exhibition title, is presented as a conceptual place where arguments about decolonization, solidarity, and freedom are advanced and negotiated with the aim of an emancipatory future.

Access the adventure where science and imagination meet. Explore the iconic cars, gadgets and props of the James Bond film series. 007 Science: Inventing the World of James Bond is the first-ever official exhibition to focus on the science and technology behind the world’s longest-running movie franchise. Go behind the scenes to learn how the Bond production teams harness real-world science to craft 007’s on-screen adventures. See fantastical gadgets created for the Bond films alongside the real-life inventions they prefigured—see a prototype jetpack from “Thunderball” and the modern Gravity Industries Jet Suit.

Across three decades, artist and filmmaker Arthur Jafa has developed a singularly dynamic practice comprising films and videos, photographs, and sculptures. Through his multidisciplinary work, Jafa seeks to encompass what he describes as “the full complexity, specificity, beauty, and potentiality of what Black folks have made and continue to make out of the bleak existential circumstance we’ve attended to over the past several hundred years.” Utilizing found imagery, music, and artistic techniques such as montage and collage, he has constructed an extensive assemblage of Black expression, layered and arranged in ways that reveal the diverse and complex realities of Black being.

Across three decades, artist and filmmaker Arthur Jafa has developed a singularly dynamic practice comprising films and videos, photographs, and sculptures. Through his multidisciplinary work, Jafa seeks to encompass what he describes as “the full complexity, specificity, beauty, and potentiality of what Black folks have made and continue to make out of the bleak existential circumstance we’ve attended to over the past several hundred years.” Utilizing found imagery, music, and artistic techniques such as montage and collage, he has constructed an extensive assemblage of Black expression, layered and arranged in ways that reveal the diverse and complex realities of Black being.

Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus. Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.

Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus. Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.

In the early 1970s, Nancy Holt (American, 1938–2014) created her first sculpture, a viewing device that she called a Locator. Made from two pieces of welded steel pipe, with a viewing aperture set at the height of her own eyes, the Locator became a powerful means for Holt to ground her viewer in the conscious process of perception. The first Locators were installed in Holt’s New York studio in 1971. From here she could train a viewer’s eye on overlooked aspects of the urban landscape, focusing attention on found elements, such as ventilators on nearby rooftops or windows on neighboring buildings. She then created site-responsive installations, using the Locator as an apparatus to frame surprising passages in the built environment, which she selected and marked with paint. In this installation, conceived in collaboration with the Holt/Smithson Foundation, two historical works—Dual Locators (1972) and Locator (PS1) (1980)—are presented for the first time out-of-doors on a sculpture terrace, where the interior and exterior architecture of the museum are in constant dialogue with each other and the surrounding city. Drawing awareness to the act of looking, these devices ask us to attend to our individual experience of vision, while challenging the presumption that how we see is in any way self-evident.

In the early 1970s, Nancy Holt (American, 1938–2014) created her first sculpture, a viewing device that she called a Locator. Made from two pieces of welded steel pipe, with a viewing aperture set at the height of her own eyes, the Locator became a powerful means for Holt to ground her viewer in the conscious process of perception. The first Locators were installed in Holt’s New York studio in 1971. From here she could train a viewer’s eye on overlooked aspects of the urban landscape, focusing attention on found elements, such as ventilators on nearby rooftops or windows on neighboring buildings. She then created site-responsive installations, using the Locator as an apparatus to frame surprising passages in the built environment, which she selected and marked with paint. In this installation, conceived in collaboration with the Holt/Smithson Foundation, two historical works—Dual Locators (1972) and Locator (PS1) (1980)—are presented for the first time out-of-doors on a sculpture terrace, where the interior and exterior architecture of the museum are in constant dialogue with each other and the surrounding city. Drawing awareness to the act of looking, these devices ask us to attend to our individual experience of vision, while challenging the presumption that how we see is in any way self-evident.

In the early 1970s, Nancy Holt (American, 1938–2014) created her first sculpture, a viewing device that she called a Locator. Made from two pieces of welded steel pipe, with a viewing aperture set at the height of her own eyes, the Locator became a powerful means for Holt to ground her viewer in the conscious process of perception. The first Locators were installed in Holt’s New York studio in 1971. From here she could train a viewer’s eye on overlooked aspects of the urban landscape, focusing attention on found elements, such as ventilators on nearby rooftops or windows on neighboring buildings. She then created site-responsive installations, using the Locator as an apparatus to frame surprising passages in the built environment, which she selected and marked with paint. In this installation, conceived in collaboration with the Holt/Smithson Foundation, two historical works—Dual Locators (1972) and Locator (PS1) (1980)—are presented for the first time out-of-doors on a sculpture terrace, where the interior and exterior architecture of the museum are in constant dialogue with each other and the surrounding city. Drawing awareness to the act of looking, these devices ask us to attend to our individual experience of vision, while challenging the presumption that how we see is in any way self-evident.

What meanings has Earth held for people of African descent, and what can an environmental consciousness grounded in Pan-Africanist perspectives teach all of humanity today? Conceived to accompany the major survey exhibition Project a Black Planet: The Art and Culture of Panafrica (on view at the Art Institute December 15, 2024–March 30, 2025), this exhibition, drawn from the museum’s collection, addresses the planet itself. Works by 17 artists in film, photography, and book arts draw attention to three vital and intertwined interactions with the land: as a path to freedom, as a means of spiritual and bodily sustenance, and as a source of enlightenment. Works by artists such as Carrie Mae Weems and Dawoud Bey retrace nocturnal paths to freedom. For example, Weems’s North Star stems from the experience of her grandfather, labor organizer Frank Weems, who made a path from rural Arkansas to Chicago in 1936 by traveling at night and following Polaris, the North Star. Like many others who found their way to freedom, Weems saved his life but lost his family and never could return to his birthplace. Foregrounding the interrelation of food and spiritual wisdom are works by Radcliffe Bailey and Luis Medina as well as the room-filling photo installation Bori (Feed the Head) by Candomblé priest and visual artist Ayrson Heráclito. Bori memorializes a ritual performance in which Heráclito encircled the heads of one dozen initiated participants with mounded ingredients to nourish individual Yoruba deities.

What meanings has Earth held for people of African descent, and what can an environmental consciousness grounded in Pan-Africanist perspectives teach all of humanity today? Conceived to accompany the major survey exhibition Project a Black Planet: The Art and Culture of Panafrica (on view at the Art Institute December 15, 2024–March 30, 2025), this exhibition, drawn from the museum’s collection, addresses the planet itself. Works by 17 artists in film, photography, and book arts draw attention to three vital and intertwined interactions with the land: as a path to freedom, as a means of spiritual and bodily sustenance, and as a source of enlightenment. Works by artists such as Carrie Mae Weems and Dawoud Bey retrace nocturnal paths to freedom. For example, Weems’s North Star stems from the experience of her grandfather, labor organizer Frank Weems, who made a path from rural Arkansas to Chicago in 1936 by traveling at night and following Polaris, the North Star. Like many others who found their way to freedom, Weems saved his life but lost his family and never could return to his birthplace. Foregrounding the interrelation of food and spiritual wisdom are works by Radcliffe Bailey and Luis Medina as well as the room-filling photo installation Bori (Feed the Head) by Candomblé priest and visual artist Ayrson Heráclito. Bori memorializes a ritual performance in which Heráclito encircled the heads of one dozen initiated participants with mounded ingredients to nourish individual Yoruba deities.

What meanings has Earth held for people of African descent, and what can an environmental consciousness grounded in Pan-Africanist perspectives teach all of humanity today? Conceived to accompany the major survey exhibition Project a Black Planet: The Art and Culture of Panafrica (on view at the Art Institute December 15, 2024–March 30, 2025), this exhibition, drawn from the museum’s collection, addresses the planet itself. Works by 17 artists in film, photography, and book arts draw attention to three vital and intertwined interactions with the land: as a path to freedom, as a means of spiritual and bodily sustenance, and as a source of enlightenment. Works by artists such as Carrie Mae Weems and Dawoud Bey retrace nocturnal paths to freedom. For example, Weems’s North Star stems from the experience of her grandfather, labor organizer Frank Weems, who made a path from rural Arkansas to Chicago in 1936 by traveling at night and following Polaris, the North Star. Like many others who found their way to freedom, Weems saved his life but lost his family and never could return to his birthplace. Foregrounding the interrelation of food and spiritual wisdom are works by Radcliffe Bailey and Luis Medina as well as the room-filling photo installation Bori (Feed the Head) by Candomblé priest and visual artist Ayrson Heráclito. Bori memorializes a ritual performance in which Heráclito encircled the heads of one dozen initiated participants with mounded ingredients to nourish individual Yoruba deities.

From wild carnivores to domestic companions, cats have their paws in science and culture alike. Learn about the characteristics of cats, big and small; walk through dynamic dioramas with dozens of felines frozen in time; and spot your own furry friends in a fan submission photo gallery. This interactive exhibition is the purr-fect blend of science, history, and pop culture.

For decades, critics have argued that painting is dead. Despite this, artists continue to push the medium forward. This exhibition defines painting itself as a manual “technique,” ​​showing viewers that painting is an ever-changing artistic expression.

As part of the Art Institute’s presentation of art and artists who engage with the ideas and of Pan-Africanism, the museum is screening Beatriz Santiago Muñoz’s 2021 film The Crow, the Trench and the Mare. Muñoz created this film in Haiti and Puerto Rico as a meditative reflection on a fundamental metaphysical subject: human awareness of time and space. Muñoz took inspiration from a technique in Sanskrit poetry called ślesa, in which two distinct stories are narrated at once. The film tracks Haitian playwright Guy Regis Junior (born 1974) as he discusses translating the classic 20th-century novel by Marcel Proust, Remembrance of Things Past, from French into Haitian Kreyol. This account is intertwined with a monologue by Italian physicist Carlo Rovelli (born 1956) about the meaning of time and the possibility of many “nows” unfolding at once. The film hints throughout at connections between disparate places and events, as well as the ways that a linear understanding of time limits our understanding of the world’s dynamic complexities.

Descending the Staircase considers novel artistic approaches to representing the human body. Spread across two floors of the museum, the exhibition presents figures of all kinds, from the fragmented, absurd, and surreal to the curated, self-aware, and media savvy. Puppets, masks, and automatons merge bodies with objects, juxtaposing the animate and inanimate, while abstract sculptures evoke the human form through soft and fleshy materials such as nylon, wax, hair, and latex. Elsewhere, artists deploy the living body as a medium, setting it in motion with performance and gesture. Together, these artworks delve into fundamental questions about the human body in the contemporary world, including its relationship to labor and machines, its presentation in advertising and social media, and its role within the everyday domestic sphere.

Descending the Staircase considers novel artistic approaches to representing the human body. Spread across two floors of the museum, the exhibition presents figures of all kinds, from the fragmented, absurd, and surreal to the curated, self-aware, and media savvy. Puppets, masks, and automatons merge bodies with objects, juxtaposing the animate and inanimate, while abstract sculptures evoke the human form through soft and fleshy materials such as nylon, wax, hair, and latex. Elsewhere, artists deploy the living body as a medium, setting it in motion with performance and gesture. Together, these artworks delve into fundamental questions about the human body in the contemporary world, including its relationship to labor and machines, its presentation in advertising and social media, and its role within the everyday domestic sphere.

Renowned multimedia artist Dieter Roth’s preferred form, and the one he spent his lifetime pursuing, was the Gesamtkunstwerk, a German term for “total work of art.” Working across a diverse range of media, disciplines, and creative activities, Roth developed an artistic practice that dissolved the boundaries between art and life, upending traditional categories, hierarchies, and even timeworn notions of singular authorship. Often collaborating with other artists, including his son Björn, Roth produced an ever-expanding body of work that gestured toward the cumulative effects of a life spent making and remaking.

The wait is over, USA! The biggest Muslim Comedy Takeover Tour in support of our Gaza Emergency Appeal is coming to a city near you from November 8th to December 1st — BOOK NOW! It’s bigger than ever! For the first time, we’re taking the largest Muslim comedy takeover tour global, celebrating 10 incredible years and landing in USA this November. We’re bringing comedy royalty to cities across the USA for an unforgettable tour, all in support of an important cause: our Gaza Emergency Appeal. Gather your friends and family for a night of non-stop laughs. It’s the most fun you’ll have this November, all while supporting vulnerable families in Gaza. Grab your discounted tickets now for a limited time only. Information Source: Human Appeal USA. | eventbrite

Experience the magic of R&B music at the highly anticipated R&B Forever Tour, coming to Wintrust Arena in Chicago on December 6, 2024. Immerse yourself in the soulful melodies and captivating performances of top R&B artists in a night to remember. Join us at 200 E Cermak Road, Chicago, IL, 60616, for an unforgettable evening of rhythm and blues.

Experience the joy of the holiday season at Pat McCurdy's Ugly Sweater Christmas Party in Chicago. Taking place at Reggies Bananna's Shack on December 1, 2024, this festive event promises an evening filled with live music, fun activities, and the opportunity to showcase your most outrageous ugly sweater. Join fellow party-goers at 2105 South State Street, Chicago, IL, 60616, for an unforgettable night of merriment and celebration. Get into the holiday spirit and create lasting memories at this must-attend Christmas party.

Explore Chicago Bulls v Brooklyn Nets sporting information for 2nd December, as well as links for Basketball tickets and more with Fixture Calendar. The Chicago Bulls are a professional basketball team based in Chicago, Illinois. They compete in the National Basketball Association (NBA) as a member of the league's Eastern Conference Central Division. The Bulls have a rich history of success, having won six NBA championships in the 1990s with legendary player Michael Jordan leading the way. They have also been conference champions six times and division champions nine times. The team's home games are played at the United Center, an arena with a seating capacity of over 20,000. The current roster boasts talented players such as Zach LaVine, Nikola Vucevic, and Lauri Markkanen, making the Bulls a strong competitor in the league. With a dedicated fan base and a storied past, the Chicago Bulls continue to be a force to be reckoned with in the world of basketball. The Brooklyn Nets are a professional basketball team based in Brooklyn, New York. They compete in the National Basketball Association (NBA) as a member of the league's Eastern Conference Atlantic Division. The team was founded in 1967 and played in New Jersey before moving to Brooklyn in 2012. The Nets have made two NBA Finals appearances and have won four conference titles. They have also produced some top-notch players such as Jason Kidd, Julius Erving, and Kevin Garnett. The team's home arena is the world-class Barclays Center, known for its state-of-the-art facilities and electrifying atmosphere. With a strong roster and a dedicated fan base, the Brooklyn Nets continue to be a formidable force in the NBA. Information Source: fixturecalendar.com

Court Theatre's Charles Newell will be engaging in a thought-provoking conversation with acclaimed author Mark Larson in Chicago. This event will take place at the Augustana Lutheran Church, located at 5500 South Woodlawn Avenue, Chicago, IL 60637. The discussion is scheduled to occur from December 4th to December 9th, 2024. Attendees can enjoy this enriching experience at no cost. Join us for an insightful dialogue between these two distinguished figures in the literary and theatrical worlds.

Join us for an evening with the Chicago College of Performing Arts Chamber Orchestra, conducted by Andrew Sewell. The concert features CCPA Solo Competition winner Mateus Furtado performing Frédéric Chopin’s E Minor Piano Concerto. Also on the program is Georges Bizet’s Symphony in C. Information Source: Chicago College of Performing Arts @ Roosevelt Uni | eventbrite