Featured Events in Berlin in February, 2025 (April Updated)

The Berlinische Galerie has devoted over 1000 square metres to presenting its collection. Waiting to be discovered among the roughly 250 works on show are paintings, prints, photographs, architecture and archive materials rarely or never displayed before. Walking around this exhibition is like time travel and takes visitors through Berlin in 17 chapters: the Kaiser’s era, the Weimar Republic, the Nazi dictatorship, the new beginnings after 1945, Cold War in the divided city, and the counter-cultures and unconventional lifestyles that evolved in East and West under the shadow of the Wall. In East Berlin, an alternative art community developed from the late 1970s. In West Berlin from the late 1970s, aggressive art by the “Neue Wilden” placed the divided city back in the international limelight.

The International Spy Museum is proud to host this official exhibition of iconic vehicles, all used on-screen by 007 and his many allies and adversaries. While James Bond is a fictional character, he embodies the spirit of many real spies in this museum. These men and women, from around the world, were inspired by over six decades of the Bond film franchise and its enduring cultural influence. Bond In Motion is a celebration of six decades of 007 vehicles. The exhibition features 17 iconic pieces from the EON Productions Archive and the Ian Fleming Foundation. Props, models scale and clips from the films are also on show alongside cars, motorcycles, submarines, and more from the Q Branch garage.

The exhibition is aimed at gamers of all ages, but also at visitors who have little experience with computer games. The fact that computer games have developed into a leading medium is no longer a daring thesis. The social and aesthetic significance of the interactive and multimedia medium can no longer be overlooked. The computer game has freed itself from its origins as a laboratory experiment and toy and has become "the" medium of digital society, somewhere between pop culture, entertainment and art. With the opening of the exhibition »The World of Games« in the fall of 1997, the ZKM was one of the first art institutions worldwide to give video game culture a permanent public platform in an art context. Since then, the ZKM has repeatedly reshaped the presentation of games in a series of different exhibitions.

The Berlinische Galerie has devoted over 1000 square metres to presenting its collection. Waiting to be discovered among the roughly 250 works on show are paintings, prints, photographs, architecture and archive materials rarely or never displayed before. Walking around this exhibition is like time travel and takes visitors through Berlin in 17 chapters: the Kaiser’s era, the Weimar Republic, the Nazi dictatorship, the new beginnings after 1945, Cold War in the divided city, and the counter-cultures and unconventional lifestyles that evolved in East and West under the shadow of the Wall. In East Berlin, an alternative art community developed from the late 1970s. In West Berlin from the late 1970s, aggressive art by the “Neue Wilden” placed the divided city back in the international limelight.

The central work in the exhibition is the series Birkenau (2014), consisting of four large-format, abstract paintings. Birkenau is the result of Richter’s long and in-depth engagement with the Holocaust and the possibilities of representing it. The works are based on four photographs taken in the concentration camp Auschwitz-Birkenau, which the artist transposed to four canvases before gradually painting over them. With each layer of paint, the depiction of the photographic original disappeared a little more, until it eventually became invisible. The work also includes a large four-part mirror, which is positioned opposite the four Birkenau canvases, creating another level of reflection. Alongside the Birkenau series, other loaned works from various phases of Richter’s career will be exhibited, among them Squatters’ House (1989), 6 Standing Panes (2002), and 4,900 Colours (2007). There is also another large group of works from Richter’s striking series of overpainted photographs.

The central work in the exhibition is the series Birkenau (2014), consisting of four large-format, abstract paintings. Birkenau is the result of Richter’s long and in-depth engagement with the Holocaust and the possibilities of representing it. The works are based on four photographs taken in the concentration camp Auschwitz-Birkenau, which the artist transposed to four canvases before gradually painting over them. With each layer of paint, the depiction of the photographic original disappeared a little more, until it eventually became invisible. The work also includes a large four-part mirror, which is positioned opposite the four Birkenau canvases, creating another level of reflection. Alongside the Birkenau series, other loaned works from various phases of Richter’s career will be exhibited, among them Squatters’ House (1989), 6 Standing Panes (2002), and 4,900 Colours (2007). There is also another large group of works from Richter’s striking series of overpainted photographs.

LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet. Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art. Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.

LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet. Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art. Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.

LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet. Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art. Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.

The International Spy Museum is proud to host this official exhibition of iconic vehicles, all used on-screen by 007 and his many allies and adversaries. While James Bond is a fictional character, he embodies the spirit of many real spies in this museum. These men and women, from around the world, were inspired by over six decades of the Bond film franchise and its enduring cultural influence. Bond In Motion is a celebration of six decades of 007 vehicles. The exhibition features 17 iconic pieces from the EON Productions Archive and the Ian Fleming Foundation. Props, models scale and clips from the films are also on show alongside cars, motorcycles, submarines, and more from the Q Branch garage.

The International Spy Museum is proud to host this official exhibition of iconic vehicles, all used on-screen by 007 and his many allies and adversaries. While James Bond is a fictional character, he embodies the spirit of many real spies in this museum. These men and women, from around the world, were inspired by over six decades of the Bond film franchise and its enduring cultural influence. Bond In Motion is a celebration of six decades of 007 vehicles. The exhibition features 17 iconic pieces from the EON Productions Archive and the Ian Fleming Foundation. Props, models scale and clips from the films are also on show alongside cars, motorcycles, submarines, and more from the Q Branch garage.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Donkeys are one of the earliest farm animals raised by humans. This exhibition will use paintings, sculptures, pottery, papyrus and other objects collected by the Egyptian Museum and the Near Eastern Museum in Berlin to detail the use of donkeys in different fields such as agriculture, military and religion in the ancient world, and present the importance of donkeys to ancient Egypt and Mesopotamia from different perspectives. People often think that donkeys are stubborn, stupid and lazy, but they don’t know that this idea is based on prejudice based on misunderstanding of donkeys’ behavior. In fact, donkeys are smart, loyal and self-reliant animals. Donkeys mainly play an important role in civilian life, but they can also be used in military scenes, taking on the responsibility of carrying food and equipment, and calming excited horses.

Donkeys are one of the earliest farm animals raised by humans. This exhibition will use paintings, sculptures, pottery, papyrus and other objects collected by the Egyptian Museum and the Near Eastern Museum in Berlin to detail the use of donkeys in different fields such as agriculture, military and religion in the ancient world, and present the importance of donkeys to ancient Egypt and Mesopotamia from different perspectives. People often think that donkeys are stubborn, stupid and lazy, but they don’t know that this idea is based on prejudice based on misunderstanding of donkeys’ behavior. In fact, donkeys are smart, loyal and self-reliant animals. Donkeys mainly play an important role in civilian life, but they can also be used in military scenes, taking on the responsibility of carrying food and equipment, and calming excited horses.

The exhibition will display 60 artworks from the Odessa Museum of East and West and 25 artworks from the Berlin Gallery, comparing the similarities between the two collections and exploring the artistic origins between Ukraine and Western European countries. The Odessa Museum of East and West was founded in 1923 and is one of the most important foreign art collection institutions in Ukraine. In September 2023, 74 core collections from the Odessa Museum of East and West's painting collection were sent to Berlin to avoid being affected by the war. This collection is all European paintings from the 16th to 19th centuries, including paintings by many well-known artists such as Frans Hals, a Dutch Golden Age painter, Bernardo Strozzi, an Italian Baroque painter, Andreas Achenbach, a German romantic landscape painter, and Frits Thaulow, a Norwegian impressionist painter. The exhibition will be divided into 9 chapters, first introducing the German-Ukrainian art transfer and protection cooperation project and its background, and then displaying the collection according to different art schools and genres.

The exhibition will display 60 artworks from the Odessa Museum of East and West and 25 artworks from the Berlin Gallery, comparing the similarities between the two collections and exploring the artistic origins between Ukraine and Western European countries. The Odessa Museum of East and West was founded in 1923 and is one of the most important foreign art collection institutions in Ukraine. In September 2023, 74 core collections from the Odessa Museum of East and West's painting collection were sent to Berlin to avoid being affected by the war. This collection is all European paintings from the 16th to 19th centuries, including paintings by many well-known artists such as Frans Hals, a Dutch Golden Age painter, Bernardo Strozzi, an Italian Baroque painter, Andreas Achenbach, a German romantic landscape painter, and Frits Thaulow, a Norwegian impressionist painter. The exhibition will be divided into 9 chapters, first introducing the German-Ukrainian art transfer and protection cooperation project and its background, and then displaying the collection according to different art schools and genres.

The Gemäldegalerie is showcasing 60 paintings from the Museum of Western and Eastern Art in Odesa, the famous port city in the south of Ukraine that has in recent years been ravaged by war. The artworks in question were evacuated from the city before the onset of war and transferred to safety in Berlin, where they will be brought into dialogue with paintings from the collections of Berlin’s museums. The large-scale special exhibition, which follows on from a small preview presentation in the spring of 2024, is an extraordinary collaborative project funded by the Federal Government Commissioner for Culture and the Media.

The exhibition is aimed at gamers of all ages, but also at visitors who have little experience with computer games. The fact that computer games have developed into a leading medium is no longer a daring thesis. The social and aesthetic significance of the interactive and multimedia medium can no longer be overlooked. The computer game has freed itself from its origins as a laboratory experiment and toy and has become "the" medium of digital society, somewhere between pop culture, entertainment and art. With the opening of the exhibition »The World of Games« in the fall of 1997, the ZKM was one of the first art institutions worldwide to give video game culture a permanent public platform in an art context. Since then, the ZKM has repeatedly reshaped the presentation of games in a series of different exhibitions.

The exhibition is aimed at gamers of all ages, but also at visitors who have little experience with computer games. The fact that computer games have developed into a leading medium is no longer a daring thesis. The social and aesthetic significance of the interactive and multimedia medium can no longer be overlooked. The computer game has freed itself from its origins as a laboratory experiment and toy and has become "the" medium of digital society, somewhere between pop culture, entertainment and art. With the opening of the exhibition »The World of Games« in the fall of 1997, the ZKM was one of the first art institutions worldwide to give video game culture a permanent public platform in an art context. Since then, the ZKM has repeatedly reshaped the presentation of games in a series of different exhibitions.

The Berlinische Galerie has devoted over 1000 square metres to presenting its collection. Waiting to be discovered among the roughly 250 works on show are paintings, prints, photographs, architecture and archive materials rarely or never displayed before. Walking around this exhibition is like time travel and takes visitors through Berlin in 17 chapters: the Kaiser’s era, the Weimar Republic, the Nazi dictatorship, the new beginnings after 1945, Cold War in the divided city, and the counter-cultures and unconventional lifestyles that evolved in East and West under the shadow of the Wall. In East Berlin, an alternative art community developed from the late 1970s. In West Berlin from the late 1970s, aggressive art by the “Neue Wilden” placed the divided city back in the international limelight.

Monstrous like Medusa, beautiful like Aphrodite, faithful like Penelope – many women from ancient mythology are known primarily as stereotypes of traditional female roles. Inspired by a surge in new readings of these myths, the Antikensammlung (Collection of Classical Antiquities) is taking a fresh look at the goddesses and heroines.

Already 2,000 years ago, the emperors of China had portraits of loyal officials and generals made in order to display them in their palaces. This presentation features depictions of meritorious officers that the Qianlong Emperor (r. 1736–1795) had commissioned for their display in the hall of fame Ziguangge to demonstrate his power and legitimacy. In the 20th century they became spoils of war not one but two times. Located adjacent to the Forbidden City in Beijing, the Ziguangge is a two-storey pavilion. During the reign of the Qianlong Emperor (r. 1736 – 1795), the building was a venue for military rituals and banquets and housed paintings with battle scenes of the imperial military campaigns and portraits of meritorious officers.

Already 2,000 years ago, the emperors of China had portraits of loyal officials and generals made in order to display them in their palaces. This presentation features depictions of meritorious officers that the Qianlong Emperor (r. 1736–1795) had commissioned for their display in the hall of fame Ziguangge to demonstrate his power and legitimacy. In the 20th century they became spoils of war not one but two times. Located adjacent to the Forbidden City in Beijing, the Ziguangge is a two-storey pavilion. During the reign of the Qianlong Emperor (r. 1736 – 1795), the building was a venue for military rituals and banquets and housed paintings with battle scenes of the imperial military campaigns and portraits of meritorious officers.

Already 2,000 years ago, the emperors of China had portraits of loyal officials and generals made in order to display them in their palaces. This presentation features depictions of meritorious officers that the Qianlong Emperor (r. 1736–1795) had commissioned for their display in the hall of fame Ziguangge to demonstrate his power and legitimacy. In the 20th century they became spoils of war not one but two times. Located adjacent to the Forbidden City in Beijing, the Ziguangge is a two-storey pavilion. During the reign of the Qianlong Emperor (r. 1736 – 1795), the building was a venue for military rituals and banquets and housed paintings with battle scenes of the imperial military campaigns and portraits of meritorious officers.

Mark Bradford, with his layered forms, materials and conceptual complexity, explores the social and political structures that reify marginalized communities and vulnerable groups. As Bradford's first solo exhibition in Germany, it also marks the reopening of the historic Rick Hall of the Hamburger Bahnhof Museum. On display are 19 works he has created over the past 20 years. The exhibition will travel to the Aijulie Pacific Museum in Seoul in August this year and will be exhibited at the Kunstmuseum Bern in Switzerland in February next year.

Mark Bradford, with his layered forms, materials and conceptual complexity, explores the social and political structures that reify marginalized communities and vulnerable groups. As Bradford's first solo exhibition in Germany, it also marks the reopening of the historic Rick Hall of the Hamburger Bahnhof Museum. On display are 19 works he has created over the past 20 years. The exhibition will travel to the Aijulie Pacific Museum in Seoul in August this year and will be exhibited at the Kunstmuseum Bern in Switzerland in February next year.