Featured Events in Toronto in March, 2025 (May Updated)

MARVEL AT THE POWER OF COLOUR IN THE NATURAL WORLD. Anywhere you look in nature, colour holds meaning. From the fiery reds of warning to the soothing blues of calm waters, Nature in Brilliant Colour will take you on a kaleidoscopic journey through the vibrant hues of our planet. Awaken your senses, and have your perception forever altered, as you make your way through a series of spaces, each dedicated to a colour of the rainbow. Through over 200 specimens, photo-worthy projections, and shifting soundscapes, this exhibition promises to be a transformative experience that will deepen appreciation for the complex artistry of our world and celebrate its vivid and untamed beauty. This exhibition was created by the Field Museum.

Inspired by traditional Chinese artwork, Cloudscape is a mesmerizing installation that blends traditional artistry with contemporary themes. Artist Xiaojing Yan masterfully crafts intricate cloud forms using paper and natural reed, evoking the essence of traditional Chinese landscape painting. This awe-inspiring work presents a complex interplay of water and cloud motifs that challenge our perception of the natural world.Immerse yourself in Yan's floating masterpiece, where each sculpted cloud tells a story of cultural heritage and environmental consciousness, and invites us to reflect on our relationship with nature.

What makes for a delightful picnic? Food and drink? Poetry? Music? A new installation offers a window into the pleasures, pastimes, and artistic heritage of Iran during the Safavid dynasty (1501-1736). A royal picnic, depicted on a large, treasured tile arch from the collections, is complemented by exceptional objects from the period. Gracing the Osler Gate on Level 1, a colourful tiled archway made over 350 years ago in Isfahan, Iran takes centre stage, showing picnic-goers out for an afternoon of leisure and luxury. Individual tiles reveal immaculately dressed figures relaxing, enjoying delicious food and drink, and being entertained with music, poetry, and feats of archery. Lively and cheerful, the scenes on the arch offer a wonderful glimpse into the cultural vibrancy of Iran when it was ruled by the Safavids, a Shi'a Muslim dynasty, who were great patrons of the arts and architecture, and who fostered international trade and diplomacy from Isfahan, their newly built capital city. The tile arch provides a magnificent focal point for the installation, which also showcases several stunning objects from the same period. A gorgeous lute with exquisite inlays and detail, an ornately decorated bow and arrow, a delicate swan-neck bottle, and beautifully crafted dishes - one of which carries words by medieval scholar Omar Khayyam (1048-1131) beginning with the lines: "This dish, which the intellect applauds, and on whose forehead it places a hundred kisses!" - bring the action on the tile arch to life. This beautiful collection of objects not only complements the arch scenes, but showcases the stunning artistry and intricacies of artisanal work iconic to the Safavid dynastic period. One has only to take in the physical objects to be transported to the scenes in the arch, enjoying music, poetry, food, and entertainment.

A prodigious collector of contemporary art, the late Phil Lind (1943-2023) was drawn to artworks that illuminated social and political histories. An enthusiastic supporter of what has since come to be known as the Vancouver school of conceptual photography, this exhibition features works by noted Vancouver-born artists Stan Douglas, Rodney Graham, Ron Terada and Jeff Wall. Complementing these lens-based works – some intimate, some large-scale light boxes, some multimedia - are paintings, photographs and sculptures by Thomas Demand, William Eggleston, Antony Gormley, Philip Guston, William Kentridge, Thomas Ruff, Laurie Simmons, Wolfgang Tillmans and Ai Weiwei. This exhibition is curated by AGO's Curator of Modern Art Adam Welch.

At the dawn of the 20th century, on both sides of the Atlantic, the human mind was of great interest to scientists, scholars, and artists alike. What does it look like, they wondered, to learn and to dream? What is the shape of imagination? This installation of 13 beloved paintings from the AGO collections of European and Canadian Art brings together dream-like landscapes, portraits of children reading, and adults lost in thought, to consider the many ways artists gave form to that intangible thing – one’s interior thoughts. Featuring examples of Realist, Impressionist, Expressionist and Symbolist art, the installation demonstrates how this pursuit helped push the bounds of traditional representation.

Exploring the many ways that the French artist James Tissot represented modern women and envisioned their relationship to time during the last decades of the nineteenth century, this exhibition presents two of the AGO’s most beloved Tissot paintings alongside a selection of more than 30 works on paper donated by Allan and Sondra Gotlieb. The contradictions of the period come alive in these works, as the quickness of modernity, exemplified by the newfound speed of travel, fashion and commodity culture, is juxtaposed against the constrained pace of women’s everyday lives, characterized by the wait to find a husband, caregiving, tending to customers or recovering from illness. Curated by Mary Hunter, Associate Professor, McGill University and by Alexa Greist, AGO Curator and R. Fraser Elliott Chair, Prints & Drawings, and Caroline Shields, AGO Curator of European Art, this exhibition illustrates the many ways that time, and a gendered understanding of it, shaped women’s identities.

From the Bader Collection at the Agnes Etherington Art Centre, the AGO welcomes a remarkable selection of seventeenth century Dutch paintings. Shown in dialogue with paintings from the AGO’s European Collection of Art, at the centre of this focused installation are seven artworks attributed to Rembrandt van Rijn (1606-1669), shown together for the first time. Featuring intensely observed still life paintings, detailed interiors and mesmerizing portraits, these striking artworks offer a rare glimpse of Dutch artistry at work. This exhibition is co-curated by Adam Harris Levine, AGO Associate Curator European Art and Suzanne van de Meerendonk, Bader Curator of European Art, Agnes Etherington Art Centre. This exhibition is co-organized by the Art Gallery of Ontario and the Agnes Etherington Art Centre, Queen's University.

As part of our annual zodiac installation, January 29, 2025 ushers in the Year of the Snake (蛇), the sixth animal in the Chinese zodiac. Those born under this sign are believed to be wise and charismatic. The snake rarely appears as a decorative motif in Chinese art and design, however, when depicted with a tortoise, the pair have come to symbolize the mythical creature Xuanwu (玄武, the Dark Warrior), later evolving into the god Zhenwu (真武, the Perfected Warrior). The snake and tortoise symbolize the interplay of power, wisdom, and harmony of nature. Experience an exquisite array of snake and tortoise-themed objects and cultural belongings in this specially curated zodiac case. Marvel at impressive ceramics, including a mythical double-headed serpent from the early 500s. This and much more are now on view in this unique display celebrating the powerful snake.

Listen to nature’s symphony for it WILL shape our future. Step inside this cinematic odyssey, inspired by the vast natural history collections at ROM, and experience our planet through the eyes of a unique protagonist – a chimpanzee. Encounter breathtaking landscapes and diverse species that remind us that humanity is only a small chapter in Earth's expansive story spanning 4.5 billion years. A love letter to the natural world – this is a clarion call to protect and look after our Earth and everything in it. Scored by Donizetti's dramatic opera, L’elisir d’amore, the film transcends human perspective, revealing how every species, from the smallest insect to the most majestic mammal, plays a vital role in the ecosystem and nature's enduring narrative.

Moments in Modernismhighlights the diversity and high quality of the AGO’s modern art collection, which has been built over time by generations of museum curators and patrons. This installation will show collection strengths from artistic movements such as Pop Art, Abstraction, Realism, and Minimalism. An international approach in artistic styles will be presented, including a body of work from the AGO holdings by Brazilian artists, recognizing the global nature of modernism. A selection of contemporary works that respond to modernist movements will also be shown. Many of the artists, including Andy Warhol, Helen Frankenthaler, Jules Olitski, Gerhard Richter, and Mark Rothko are well known while others are still yet to be broadly recognized such as Tomie Ohtake, Rubem Valentim, Gene Davis and Kazuo Nakamura.A particular focus will be Canadian artists including Alex Colville, Rita Letendre, Jack Bush, Agnes Martin, Guido Molinari and Norval Morrisseau. Moments in Modernismfeatures artworks that will form the cornerstone for the expansion of the new Dani Reiss Modern and Contemporary Gallery, starting construction in 2024. The new building is being designed by architects Diamond Schmitt, Selldorf Architects and Two Row Architect to showcase the AGO's growing collection of modern and contemporary art.

For more than five decades, distinguished Toronto artist Louise Noguchi has been working in sculpture, installation, photography, and video. Unifying her work is a conviction that identity is not given—but constructed—shaped by events, beliefs, and circumstance. Spotlighting Noguchi’s work in video and sculpture, the AGO’s Associate Curator of Canadian Art Renée van der Avoird brings together three works from the AGO collection. Reverberating with sound, Noguchi’s looping video workCrack(2000) sees the artist performing as an assistant in a wild-west act, holding out flowers only to have them suddenly cut down mid-air by the lash of whip. Noguchi’s large sculptural installationFruits of Belief: The Grand Landscape(1986) brings together a head, a cornucopia, and a photographic reproduction of Thomas Gainsborough’s 1770s painting,A Grand Landscape, to examine our shared relationship to nature—as something real, constructed, and imaginary. By contrast, the third work in this exhibition, Noguchi’s 1990–91 mirror sculptureEden,addresses themes of surveillance and freedom, asking: are we approaching paradise, or withdrawing from it?

An unprecedented exhibition that examines the history and legacy of Auschwitz. Created by Nazi Germany, the most significant site of the Holocaust, Auschwitz, was not a single entity. It gradually became a system of camps that combined two functions: a concentration camp and a killing centre in which some 1 million Jews— and tens of thousands of others, including Poles, Romani people, and Soviet POWs — were detained and murdered in a systematic and industrialized fashion. This powerful exhibition, which arrives in Toronto just ahead of the 80th anniversary of the liberation of Auschwitz on January 27, 2025, explores the dual identity of the Auschwitz camp as a physical setting — the largest documented mass murder site in human history— and as a symbol of the borderless manifestation of hatred and human atrocity.

Japanese-American artist Isamu Noguchi is one of the most famous sculptors of the 20th century and one of the first to try to combine sculpture and landscape design. He studied under Constantin Brancusi and Qi Baishi, and his works not only transcend national boundaries, but also transcend the dimension of time. Renée van der Avoird, associate curator of Canadian art at the Art Gallery of Ontario, focuses the exhibition on the artist's video and sculpture works, and combines three works from the Art Gallery's collection: Fruit of Faith: Large Landscape (1986), Eden (1990-91) and Cracks (2000).

Experience Free Public Art at Union Station celebrating Black Artists & Cultural Legacy “A Transit Through Time” features a six-artist group exhibition co-curated by Union and MakeRoom Inc. as well as a special featured project by renowned artist Jordan Sook, “Nothing More Nothing Less”. The entire exhibition reminds viewers that everyone is part of the past, and we are responsible for shaping the future. Championing Black Artists with “A Transit Through Time” The featured works of artists Destinie Adélakun, Pixel Heller, Segun Caezar, Heritier Bilaka, Rico Poku and Camille Kiffin encourage exploration of the connections between the past and present, and the traditions that have shaped culture through time. They offer a glimpse into the enduring legacy and boundless creativity of Black communities. Transformative Beauty with “Nothing More Nothing Less” In addition to the group exhibition, Union has selected special guest artist Jordan Sook to present the solo exhibition, Nothing More Nothing Less, a collection of images of butterflies showcased in various mediums throughout Union for people to discover. The butterflies, containing the artist’s signature hand painted spots, represent self-expression and the joyfulness of the human spirit. Each piece merges entomology with curiosity, exploring themes of metamorphosis, transformation and evolution

Tracing Blackness through its many migrations and manifestations, the interdisciplinary artist Oluseye blends the ancestral with the contemporary and the physical with the spiritual. Inspired by merindinlogun, a Yoruba divination ritual, Oluseye presents a new installation that illustrates the spiritual, mythological, and biographical elements that have shaped his worldview and art practice. In Yoruba culture, cowrie shells symbolize wealth and prosperity and are used by diviners to communicate with ancestors and receive guidance. Paying homage to that cultural practice and his own narratives, Oluseye presents 16 large-scale bronze cowrie shells, resting atop a hand-carved divination tray.

How do our experiences shape our perceptions? ROM Connection Stations invite you to reflect on Museum objects to build a deeper understanding of the world and how others may experience it. How does your personal background shape your perceptions? How can current interpretations differ from when an object was produced? How could other people view the same object? These interactive stations can be enjoyed alone or with other guests and invite visitors to share in a collective conversation to recognize biases, consider the impact of perceptions, and foster greater understanding.

Recipient of the 2022 Gershon Iskowitz Prize at the AGO, American-born, Toronto based artist Tim Whiten, has, for almost five decades, fashioned a powerful visual language all his own. Drawing upon various spiritual traditions, mythologies, and rituals, Whiten’s work evades easy categorization, manifesting itself in ways that are spellbinding and technically profound. The more than 30 works on display range from works on paper and cotton, to sculpture, other three-dimensional objects, and mixed media installations. The exhibition features many of the artist’s most essential works, made with organic matter such as leather, bone, and stone, and precarious materials such as glass and crystal. This exhibition is organized by the Art Gallery of Ontario in partnership with the Gershon Iskowitz Foundation.

Immersing viewers in the world of hip-hop through contemporary art and fashion, The Culture: Hip Hop and Contemporary Art in the 21st Century brings together contemporary artists, musicians, designers and stylists to tell the story of the art form and its global impact on visual culture. Organized on the occasion of Hip Hop’s fiftieth anniversary and featuring contemporary art by some of today’s most important and celebrated artists, including Derrick Adams, John Edmonds, Deana Lawson and Hank Willis Thomas, this dynamic and wide-ranging exhibition highlights the art form’s ongoing conceptual and material innovation. Placing fashion, consumer marketing, music, videos and objects in dialogue with paintings, sculpture, poetry, photography and multi-media installations, the exhibition considers activism and racial identity, notions of bling and swagger, as well as gender, sexuality and feminism. The Culture: Hip Hop and Contemporary Art in the 21st Century is co-curated by Asma Naeem, the BMA’s Dorothy Wagner Wallis Director; Gamynne Guillotte, the BMA’s Chief Education Officer; Hannah Klemm, SLAM’s Associate Curator of Modern and Contemporary Art; and Andréa Purnell, SLAM’s Audience Development Manager. The AGO presentation will be organized by Julie Crooks, Curator, Arts of Global Africa and the Diaspora, AGO.

PDAC: The World’s Premier Mineral Exploration & Mining Convention is the leading convention for people, companies and organizations in PDAC: The World’s Premier Mineral Exploration & Mining Convention is the leading convention for people, companies and organizations in, or connected with, mineral exploration. In addition to meeting over 1,100 exhibitors, 2,500 investors and 25,800 attendees from 132 countries, it provides mineral and mining professionals, as well as investors, analysts, geologists, executives, government officials and students, access to an array of programming, short courses, presentations and unparalleled networking opportunities. Information Source: Prospectors & Developers Association of Canada | expotobi

The National Home Show comes up with everything a 'home' needs The National Home Show comes up with everything a 'home' needs. This event is a platform for retailers, wholesalers, consumers to interact and help grow the trade. The event revolves around bath and sanitation products, cookware, tabletop, home decor products, tableware, flatware, cutlery, kitchen tools, energy conservation appliances, healthcare products, upholstery, decorative textile, garden and landscaping products and more. Information Source: Building Industry and Land Development Association (BILD) | expotobi

Experience Lumière: Art of Light, a free outdoor light exhibition. Featuring 14 bold and imaginative installations by talented Ontario artists, spanning multiple disciplines, Lumière brings the theme of “Neon Dreams: Light and Color” to life. Whether you’re looking for inspiration, curiosity, or simply to admire the wonder, Lumière invites you to explore the magic of light and art. Every Friday and Saturday and during March Break, there will be a warm bonfire from 18:00 to 22:00 (weather permitting).

Toronto Comicon will feature areas like FFO monster movies, sci-fi, body horror, autograph sessions, celebrity photo sessions, cosplay, celebrity question, and answers Toronto Comicon will feature areas like FFO monster movies, sci-fi, body horror, autograph sessions, celebrity photo sessions, cosplay, celebrity question, and answers, sketching duels and artist alley, etc. It is one of the largest entertainment convention groups in North America. Information Source: Informa Markets | expotobi

Annually, photographers spanning ages and abilities submit tens of thousands of images to the international Wildlife Photographer of the Year contest. This winter, ROM is thrilled to once again host the renowned exhibition. Organized by London's prestigious Natural History Museum, UK, this fan-favourite showcases the very best in nature photography from around the globe. Experience our world in vivid detail, beholding extraordinary species through unimagined perspectives. Each photograph, exquisitely backlit, unveils unparalleled quality and depth. Through the lens, viewers become privy to animals' lives and the challenges they face. Emotive, surprising glimpses of life on our planet are showcased via exceptional talent, technical mastery, and perfectly captured moments. Mark your calendars and get ready to embark on a visual journey that will leave you inspired and enlightened by the incredible beauty that surrounds us.

Recipient of the prestigious Golden Lion prize for Best National Participation at the 2022 Venice Biennale, acclaimed British artist Sonia Boyce DBE RA brings Feeling Her Way to the AGO for its second North American presentation. This captivating installation combines video, collage, music and sculpture. Feeling Her Way centers the vocal performances of four female musicians: Jacqui Dankworth, Poppy Ajudha, Sofia Jernberg, and Tanita Tikaram in a playful and thought-provoking visual and auditory experience. Brought together by Boyce at Abbey Road Studios in London and Atlantis Studios in Stockholm, the vocalists were guided by composer Errollyn Wallen through improvisation, imagination, and exploration. Spanning across two adjacent galleries, the audience will encounter colour-tinted videos that take centre stage among immersive and tessellating wallpapers created by Boyce, as well as gold 3D geometric sculptures, and a rich display of music memorabilia from the artist’s ongoing collection documenting the transnational contributions made by Black British female musicians. This site-specific installation is presented at the AGO in partnership with the Toronto Biennial of Art 2024. The Canadian presentation of Sonia Boyce: Feeling Her Way is initiated and organized by the PHI Foundation for Contemporary Art. The work was originally commissioned by the British Council for the 59th International Art Exhibition – La Biennale di Venezia, 2022.

The Toronto Light Festival offers a visual journey and a fun adventure through the pedestrian streets of the Distillery District. During the cold, dark winter months, the Toronto Light Festival gives visitors a reason to bundle up, get outside and celebrate the season, creativity and big city life. Now in its fourth year, the festival features local and international light artists. The artworks are curated to educate, warm the heart, inspire or simply put a smile on visitors' faces.

In the first of two installations showcasing artworks from the Dr. Ronald M. Haynes Collection, 14 prints by renowned Inuit artist Kenojuak Ashevak (1927–2013) are featured, includingThe Woman Who Lives in the Sun, one of the most iconic and recognizable works in Inuit art history. Hailing from Kinngait (previously known as Cape Dorset) Nunavut, Ashevak is famous for her fluid graphic storytelling and stunning skill with stonecut printing, and widely known as the “grandmother of Inuit art.” Curated byRenéevan der Avoird, AGO, Associate Curator of Canadian Art, these works are all promised gifts to the AGO.

The Toronto Sketch Comedy Festival (March 5-16, 2025) is Toronto's longest-running live comedy festival, celebrating its 20th anniversary in 2025. The 10-day festival brings the city's best live and scripted comedy to captivating audiences.