Featured Events in Naples in June, 2024 (May Updated)

Experience the thrill of Pole Vault In The Plaza 2024, taking place in the vibrant city of Naples, FL, USA. Witness elite athletes showcase their skills and soar to new heights at this prestigious pole vault competition. The event is scheduled to run from June 7th to June 8th, with elite competitions commencing on Friday, June 7th at 6:00 pm, followed by open entry athletes competing throughout the day on June 8th from 8:00 am to 6:00 pm. The venue, located in beautiful Naples, FL, USA, offers a picturesque backdrop for a day filled with sports and entertainment. Admission is free for spectators, while athletes are required to purchase tickets. Stay tuned for hotel information and live stream updates, to be announced closer to the event. Ensure you have your USATF membership number ready, which can be obtained through the provided link. Don't miss out on this exciting event - register now for Pole Vault In The Plaza 2024!

Experience the excitement of the 3rd annual Pole Vault In The Plaza event, happening in the vibrant city of Naples, FL, USA. Elite athletes will showcase their incredible skills on June 7th at 6:00 pm, while Open Entry athletes will compete all day on June 8th from 8:00 am to 6:00 pm. Witness these talented individuals reach new heights in a thrilling pole vault competition set against the stunning backdrop of Naples. Spectators can enjoy the event for free, while athletes need to purchase a ticket priced between $75 and $100. Stay tuned for more information on hotel accommodations and the live stream details, to be announced 7 days before the event. Please note that a USATF membership number is required for registration. Follow the event on Instagram @Pole_Vault_Plaza for updates. Registration is non-refundable. Don't miss out on this exhilarating sports event in the heart of Naples!

Akram Zaatari (b. 1966, Saida) has played a critical role in developing the formal, intellectual and institutional infrastructure of Beirut's contemporary art scene. He has produced more than fifty films and videos, a dozen books and countless installations of photographic material, all sharing an interest in writing histories and the search for records and objects, keeping track of their changing hands, the retrieval of narratives and missing links that have been hidden, misplaced, lost, found, buried or excavated. The act of digging itself has become emblematic of his practice while acting to restore connections lost over time, or due to war and displacement. Zaatari has dedicated a large volume of his work to the research and study of photographic practices in the Arab world and has made uncompromising contributions to the wider discourse on preservation and archival practice. Rooted in this research practice, Zaatari’s exhibition in Naples retraces the element of restitution in the artist’s work, expressed mainly through text, documents and photographs that revisit descriptions and recreate objects or ties that once existed but are now lost. The exhibition features works across many media from the last two decades, beginning with his two-hour-long video, (2002), in which the artist looks for a buried letter that never reached its destination. It spans through to Zaatari’s most recent body of work, (2024), in which the sarcophagi of two Phoenician Kings (father and son), separated since antiquity, are reunited. The project is accompanied by a series of new works on paper that look at the Mediterranean as a locus of exchange, extraction and movement across millennia. Amongst these works (2017), (2019) and V (2022), and a new work, (2024), all engage in the process of recreating objects that have either vanished or were never produced. The brass relief – made with artisans in Naples – gives new form to a forgotten photograph taken by the father of Egyptian artist Inji Efflatoun for the purpose of making a painting that was never produced. Zaatari's idea of ‘giving life to things that do not exist in the present’ also applies to the recreation of a stone monolith used to seal King Tabnit’s tomb, which was completely destroyed when his sarcophagus was extracted in 1887. (2022) was made from drawings and notes left by Ottoman statesman and painter Osman Hamdi during his excavation of the Sidon Necropolis. Akram Zaatari lives and works in Beirut, Lebanon. Recent exhibitions include: Against Photography. An Annotated History of the Arab Image Foundation, Sharjah Art Foundation, Sharjah, UAE (2019); The Script, New Art Exchange, Nottingham, England (2018); The Fold, Contemporary Arts Center, Cincinnati, OH (2018); Letter to a Refusing Pilot, Moderna Museet, Malmö, Sweden (2018); Against Photography. An Annotated History of the Arab Image Foundation, MACBA, Barcelona, Spain (2017); travelling to: K21, Düsseldorf, Germany (2018); Museum of Modern and Contemporary Art, Seoul, Korea (2018); Double Take: Akram Zaatari and the Arab Image Foundation, National Portrait Gallery, London, England (2017); This Day at Ten, Kunsthaus Zürich, Zürich, Switzerland (2016); Unfolding, Moderna Museet, Stockholm, Sweden (2015); Akram Zaatari: The End of Time, The Power Plant, Toronto, Canada (2014); Lebanese Pavilion at the 55th Venice Biennale, Venice, Italy (2013); Projects 100: Akram Zaatari, Museum of Modern Art, New York (2013); This Day at Ten / Aujourd’hui à 10, Magasin Centre National d’Art Contemporain de Grenoble, France (2013); Tomorrow Everything Will be Alright, MIT List Visual Arts Center, Cambridge, MA (2012); The Uneasy Subject, MUAC, Mexico (2012); Museo de Arte Contemporáneo de Castilla y Leon, Spain (2011). Additionally, Zaatari’s work has been part of Sharjah Biennial 14, Sharjah, UAE (2018); the 12th Istanbul Biennial, Istanbul, Turkey (2011); The Yokohama Triennale, Yokohama, Japan (2014); the 55th and 52nd Venice Biennale, Venice, Italy (2013 and 2007); dOCUMENTA (13), Kassel, Germany (2012); 27th São Paulo Biennial, São Paulo, Brazil (2006); the 6th Gwangju Biennale, Gwangju, South Korea (2006); and the 15th Biennale of Sydney, Australia (2006). Zaatari’s work is included in the collections of Centre Pompidou, Paris, France; Louis Vuitton, Paris, France; Bristol Museum & Art Gallery, Bristol, England; Tate Modern, London, England; MCA Chicago, Chicago, IL; Guggenheim Museum, New York, NY; Museum of Modern Art, New York, NY; Hammer Museum, Los Angeles, CA and Walker Art Center, Minneapolis, MN. The project is also the artist’s doctoral project in Arts at ENSAPC and the Cy university, France, under the direction of François Pernot, Alejandra Riera and Bénédicte Savoy. It has been supported in part by: The EUR Humanities, Creation, Heritage (PSGS HCH), « Investissement d’Avenir ANR-17- EURE-0021 » AFAC, The Arab Fund for Arts and Culture.

尊敬的讀者們，不要錯過能源醫學 2024 - 一場將於 2024 年 6 月 12 日在意大利那不勒斯的Mostra DOLtremare展覽中心舉行的嶄新展會。這個別具一格的盛會將探討能源醫學領域的最新發展及突破。本次展覽匯集了來自世界各地的專家學者與創新者。來賓將有機會深入了解能源醫學的前沿科技和前景，並與行業內人士交流想法。為了確保您的位置，建議讀者們預先規劃行程，確保能參與這一不容錯過的學術饗宴。能源醫學 2024，期待您的蒞臨。

當未來挑戰敲門時，能源效率成為了不容忽視的要點。在這個遞變的世界中，「能源效率 2024」無疑是向前邁進的關鍵一步。這場展會將於2024年6月12日在美麗的海濱城市那不勒斯隆重舉辦，地點選址於著名的Mostra DOLtremare展覽中心。本屆展會不僅是專業人士的交流平台，更是所有注重能源可持續發展人士的聚集地。與會者將有機會深入探討能源效率領域的最新技術及創新解決方案，攜手邁向更高效、更環保的未來。這是一次不容錯過的學習與網絡建立的機會，每一位關注能源未來的人士都應在日程上騰出空間，前來參與「能源效率 2024」。

「準備好一睹未來交通的新樣貌了嗎？那麼，千萬別錯過即將在意大利那不勒斯舉行的機動性2024盛會。這項匯聚創新科技與前沿思維的活動，定於2024年6月12日至14日，在坎帕尼亞區著名展覽地點Mostra DOLtremare隆重開幕。」 「在這裡，參觀者將有機會親眼見證最新一代交通工具和移動解決方案，這些都是由世界各地的專家和企業精心打造。無論您是業內專家還是對未來運輸充滿好奇的公眾，機動性2024都是一個不可錯過的機會。」 「機動性2024不只是一場展覽，它是一個集結了頂尖腦力激蕩的平台，預計將吸引無數專業人士和愛好者。這裡不僅能讓您緊貼最新的行業動態，更能與志同道合的人士交流心得，激發更多創新靈感。」 「千萬不要錯過這場將為您開啟無限可能的機動性2024活動，我們期待在那不勒斯與您相會，共同探索交通運輸的新未來！」

尊敬的讀者們，不要錯過能源醫學 2024 - 一場將於 2024 年 6 月 12 日在意大利那不勒斯的Mostra DOLtremare展覽中心舉行的嶄新展會。這個別具一格的盛會將探討能源醫學領域的最新發展及突破。本次展覽匯集了來自世界各地的專家學者與創新者。來賓將有機會深入了解能源醫學的前沿科技和前景，並與行業內人士交流想法。為了確保您的位置，建議讀者們預先規劃行程，確保能參與這一不容錯過的學術饗宴。能源醫學 2024，期待您的蒞臨。