Featured Events in Madrid in March, 2025 (May Updated)

The museum presents an exhibition on the importance that art had in the work of one of the most influential writers of the 20th century, Marcel Proust (Auteuil, 1871 - Paris, 1922), recognized in both literature and philosophy and art theory. The aesthetic ideas that Proust develops in his work, the artistic, monumental and landscape environments that surrounded him and that he recreates in his books, as well as the contemporary artists or the past that served as a stimulus are some of the aspects that articulate the tour of the exhibition. The aim is to highlight this link and the interrelation between art and its figure, its life and its work. To understand Proust it is important to know the Paris in which he lived, that is, the cosmopolitan and rich capital of the Third Republic, his great transformation after the urban reforms of Baron Hausmann, with the appearance of electricity, cars, shows, restaurants and cafes. Proust was fascinated not only by the arts, but of that modernity so booming in the late 19th century. The image of the modern that the Impressionist painters created through their representation of the streets and other environments of Paris is at the basis of the propolitan aesthetic: all this would mark his biography and also his writings.

A Life in a Few Lines marks the first major European retrospective of the Lebanese-born artist Huguette Caland (Beirut, 1931–2019), whose life and work spanned decades, continents and media, challenging the aesthetic and social conventions of her time. Featuring approximately 300 drawings, paintings, sculptures and work in other media, as well as documentary ephemera, the exhibition weaves a new narrative around Caland’s practice, questioning perceptions of her cosmopolitan rootlessness to show an artist deeply connected to community, communication and the idea of home. It also reveals her defiance of social and sexual norms in work that explores notions of gender, the body, belonging, love, aging and personhood, all of which is set against the broader geopolitical currents of a decolonising and neoliberalising world.

Hello Everyone is a large-scale installation that brings together works by Léa Estrucci (Barcelona, ​​1981) from 2011 to the present day. These works incorporate formal variations, constituting a fragmented and echoing archive that includes sculptures, sounds, moving images, graphic works and visual scores. Overall, it can be seen as both a retrospective and a navigable warehouse.

The Palacio de Cristal has traditionally been a space where artists are commissioned to work on a new piece conceived specifically for its unique architecture. Although the restoration and repair work currently being carried out on its structure means visitors cannot access its interior, the programme held within to support the public display of current art continues all the same. In fact, it is the radical imagination of artists that will enable the Museo Reina Sofía to continue to endow this emblematic space with cultural content. The first such artist to take part in this series is Miguel Ángel Tornero (Baeza, 1978), who contributes with a work devised for the canvases which will cover the building during its first year of restoration work.

The World Olive Oil Exhibition is the biggest international trade fair totally devoted to the olive oil sector The World Olive Oil Exhibition is the biggest international trade fair totally devoted to the olive oil sector. It is mainly geared towards producing cooperatives and olive mills that seek to open new markets and exportation possibilities, as well as towards the main olive oil purchasers from around the world. Information Source: Pomona Keepers, S.L. | expotobi

In January 1986, in the basement of a block of flats in the Madrid neighbourhood of Chamberí, Maite Arratibel, Celia García Bravo, Nacho Pérez de la Paz and Pedro Roldán founded an alternative art space christened, ironically, Galería Nacional. At the same time, in January of that same year, Manuel Saiz launched the Postal Service for Multiple Exhibitions and Propaganda, a postal art initiative presented as “an unorthodox magazine, in which the pages and articles are received one by one and separately, a gallery that in each delivery will show a work to the viewer’s home and not the other way around.” According to the editorial note, simply and plainly, “a wedge of artistic opposition.” A radical collaborative project that, months later, would merge with the critical spirit of the partners and friends of the Galería Nacional, where Manuel Saiz arrived guided by Julio Jara, a colleague in exhibitions at the Villalar gallery and an early collaborator in both projects. It was from this meeting, and together with the contributions of other artists and theorists such as Javier Colis, José Díaz Cuyás, Celia Martín, Pamen Pereira or Alberto Vidarte, when they decided to unite both independent initiatives in a common project: GENE, a gallery of collective production that publishes multiples in postcard format.

This exhibition explores the concept of the grotesque, a core of aesthetic thought capable of offering new perspectives on reality. Developed by the writer Ramón María del Valle-Inclán (1866-1936) as a tool of critical questioning in response to the backwardness and moral despair that plagued Spain in the first half of the 20th century, the grotesque confronts the country’s social, political and cultural constraints, insisting on the distance of the gaze and a range of aesthetic strategies to deform with maximum efficiency. Unlike other cultural representations of the grotesque that emerged in Europe, in which horrific distortions embodied the absurdity of life during that period, the grotesque proposed a new aesthetic that needed to be dedicated to the renewal of social structures. Through extensive documentation and various works of art, this exhibition explores the main themes and strategies that express the grotesque, emphasizing that it is an aesthetic proposal that survived Valle-Inclán’s time and thought. The exhibition is divided into eight main sections. It begins with the Antes del esperpento of the last decades of the 19th century, which displayed a selection of satirical news, drawings and popular optical devices of the time, which were forerunners of anamorphosis.

Curated by French thinker Georges Didi-Huberman, the exhibition “In the moved air…” articulates a political anthropology of emotion in poetic terms, outlining ways of breathing and resistance that confront the persuasive culture of capitalism that has permeated everything. Its title, taken from Federico García Lorca’s Romancero gitano, appeals to overflowing emotion that is not restricted to a single subject, where Lorca’s idea of ​​the “duende” comes into play. In this way, emotion is understood here as a movement that is transmitted to the community through a singular body and that is capable of leading to a “commotion,” that is, a concatenation of emotions that affects a group, an environment, a relationship.

Arco-Madrid is one of the main contemporary art fairs on the international circuit Arco-Madrid is one of the main contemporary art fairs on the international circuit. It will feature a display of products like ceramic, jewellery, digital, photo, fibre, metalwork, sculptures, glass, mixed media, wood, graphics,  painting and etc. Information Source: IFEMA | expotobi

Spencer Sutherland will be embarking on The Drama World Tour 2025, with a stop in Kansas City on March 7th. The concert will take place at the Madrid Theatre located at 3810 Main Street. Fans can expect an unforgettable evening filled with Sutherland's soulful voice and captivating performances. Don't miss the opportunity to witness this talented artist live on stage in Kansas City.

Horeca Professional Expo features exhibits from various sectors such as hotel & bar, culinary, hospitality, kitchen equipment, design and architecture, business, and much more Horeca Professional Expo features exhibits from various sectors such as hotel & bar, culinary, hospitality, kitchen equipment, design and architecture, business, and much more. Information Source: IFEMA | expotobi

Cinegetica will display products like rods, reels, lures, threads, accessories, fishing probes, engines, boats, technical clothing and much more Cinegetica will display products like rods, reels, lures, threads, accessories, fishing probes, engines, boats, technical clothing and much more. Information Source: IFEMA | expotobi

AULA is a fair that helps students to effectively decide their educational and professional future AULA is a fair that helps students to effectively decide their educational and professional future. It combines a significant offering of educational and training centres, entities and service companies that respond to the training needs of students (from 14-15 years and above) who come to choose which centre to attend for training to get onto the job market. Information Source: IFEMA | expotobi

Throughout her career, the painter Soledad Sevilla (Valencia, 1944) has developed a rigorous language based on the purity of line and color and on the construction of forms based on geometric modules. This exhibition, curated by Isabel Tejeda, chronologically retraces the artist's career, from her first steps at the Computing Center of the University of Madrid to her current work, through more than a hundred works, some of which were made especially for the exhibition. The retrospective focuses on the artist's statement that she has been painting the same picture all her life, linking her early works from the 1960s to her latest series, such as White Horizon or Waiting for Semper, in which she pays tribute to her recommender and friend Eusebio Semper.

The museum presents for the first time in its entirety in Madrid the set of works of Francesco Guardi belonging to the Calouste Gulbenkian Museum, thanks to a collaboration agreement between the two institutions. With a total of 18 oils and a drawing, he is the artist best represented in this collection of more than 6,000 pieces of art assembled by financier Calouste Sarkis Gulbenkian (1869-1955), which, since 1969, has been exhibited in the museum that bears his name in Lisbon. Along with Guardi's paintings, acquired between 1907 and 1921, a drawing of the same artist, incorporated in 2002, and an oil from his son Giacomo, is shown. The works are dated between 1765 and 1791 and illustrate iconic places in Venice, such as the Rialto Bridge or the Ducal Palace, festivals such as the Ascension, the surroundings of the city and some whims, belonging at the end of his career. After an initial stage in which he served mainly as a painter of history, religious themes, frescoes and even still lifes, Guardi began to paint views of his city, first following the precise style of his predecessor Canaletto to then add vitality and illusion to his compositions. After the death of Canaletto in 1768, he became the most important vedutist in Venice.

The exhibition Marina Vargas: Revelations is part of the Kora cycle, with which the museum proposes to give visibility to works carried out by women artists of the current scene with a gender perspective. For this exhibition, Marina Vargas (Granada, 1980) has carried out a research project around the silence of women throughout history, especially in relation to the sacred and the spiritual, a topic that he has already dealt with in previous works and whose objective now is to reveal his extensive contributions. From the figure of Mary Magdalene, studied by feminist theologians such as Karen King (Harvard University), Cynthia Bourgeault (University of Pennsylvania) or Meggan Watterson (University of Columbia), Vargas traces a tour that explores the figure of women in the history of art, in the imagery, but also in the sacred story, from his biography and personal experience, with a current perspective that seeks to break the silence through which the patriarchal system has relegated them to asecond place. Revelations show the hidden through newly created works that will be presented for the first time in this exhibition.

The majlis is the traditional hospitality space in Arab and North African houses, the place where guests and travelers are welcomed, offering them shelter and cohabitation. Hospitality is also the central proposal of the exhibition that Lebanese artist and composer Tarek Atoui (Beirut, 1980) presents at the Thyssen-Bornemisza National Museum, in collaboration with TBA21 Thyssen-Bornemisza Art Contemporary. It is called At-Triq, which means "the one who comes from the night" or "the star of the morning," and is part of a long-term research project on the rural musical traditions of the Arab world on sub-Saharan pilgrimage and trade routes.Atoui shows in the museum the first chapter of his proposal, with which he approaches the Tamazgha, the North African territories inhabited by the Amazigh or Berber people, source and deposit of musical, artistic, artisanal and intellectual traditions. After two years of exchange with musicians and artisans from the Moroccan Atlas region and other nearby areas, the artist presents a space of poetic hospitality - composed around the majlis, a place that welcomes, receives and resonates, while generating a multiplicity of affinities and experiences.In At-Triq, music is the protagonist and becomes itself an act of hospitality. Through intertwined textures and materials, this sound installation invites visitors to inhabit the thresholds between the traditional and the contemporary, the familiar and the unknown, revealing the nomadic inclinations present in these affinities.

On the occasion of the third anniversary of the invasion of Ukraine, which began on 24 February 2022, the museum inaugurates in the central hall a sample of photographs by photographer and filmmaker Andrii Kotliarchuk taken in Polissia. Polissia is the most enigmatic region of northern Ukraine, a land of ancestral forests and beliefs and sacred architecture. A unique world where the past is intertwined with the present and traditions are still alive. Andrii Kotliarchuk travelled through Polissia for more than ten years with an analog camera, exploring his mystical atmosphere. His work captures the archaic traditions of its inhabitants, their way of life and a nature that preserves its primitive beauty. The author uses large-format black-and-white film and a 19th-century goal, which gives his works a special depth.

This exhibition showcases a selection of works by Roberto Fabelo, a Cuban artist who works in diverse languages, including painting, sculpture, and illustration. It explores works in different formats, selected by curator Mario José Hernández, among strange and dreamlike images that combine elements of reality and fantasy with meticulous attention to detail in a symbolic interpretation. Using vibrant colors and intricate compositions in his paintings, drawings, and sculptures, he often depicts fantastic creatures, anthropomorphic animals, and human figures, drawing comparisons to Goya due to their rich symbolism and allegorical narrative.

The 2025 Madrid Carnival Parade (Saturday, March 1, from 1pm to 3pm, from Puente de Toledo to Planada Negra) will fill the streets with magic, joy and diversity, offering an exciting journey through a variety of artistic and cultural expressions. Featuring an eclectic mix of street theatre, circus acts, giant puppets and fantastical creatures, this year's parade promises to be a perfect combination of innovation, cutting-edge performances and cherished Carnival traditions. Pick a costume, put on your dancing shoes and enjoy the Carnival like sardines! (March 1-5, 2025).

4YFN 2025, set to take place from March 3rd to March 6th, promises to be a cornerstone event for the entrepreneurial and startup ecosystem. Hosted at the prestigious Catalonia Gran Via in the heart of Madrid, this event will bring together innovators, investors, and industry leaders from around the globe. With a focus on fostering collaboration and showcasing cutting-edge technologies, 4YFN 2025 will feature a diverse array of keynote speeches, panel discussions, and networking opportunities designed to inspire and empower the next generation of tech entrepreneurs. Attendees can expect to engage with pioneering startups, explore groundbreaking solutions, and gain invaluable insights into the future of the digital economy. The vibrant city of Madrid, renowned for its rich cultural heritage and dynamic business environment, provides the perfect backdrop for this influential gathering. Marking a significant milestone in the tech calendar, 4YFN 2025 is an unmissable event for those looking to stay ahead in the fast-paced world of innovation.

MWC Barcelona 2025, a premier event in the mobile technology industry, will take place from March 3rd to March 6th at the Circulo de Bellas Artes in the Community of Madrid, Spain. This year's event promises to be a groundbreaking convergence of innovation, networking, and cutting-edge technology. Industry leaders, visionaries, and professionals from around the globe will gather to explore the latest advancements in mobile communications, 5G, artificial intelligence, and IoT. With a rich agenda featuring keynote speeches, panel discussions, and hands-on demonstrations, MWC Barcelona 2025 is poised to set the stage for the future of connectivity. Attendees will have the unique opportunity to engage with pioneering companies and discover transformative solutions that will shape the digital landscape. The Circulo de Bellas Artes, renowned for its cultural significance and architectural beauty, provides an inspiring backdrop for this influential event. MWC Barcelona 2025 is not just an event; it's a pivotal moment in the tech calendar, promising to deliver insights and innovations that will drive the industry forward.

In addition to the main section that brings together 179 galleries, the fair will present three curatorial sections: “Wametisé: Amazonian Futurist Creativity,” curated by Denilson Baniwa and Maria Wills; “Openings: New Galleries,” organized by Cristina Anglada and Anissa Touati; and “Introductions | Latin American Art,” curated by José Esparza Chong Cuy.

The International Contemporary Art Fair 2025, set to take place in Madrid at the renowned IFEMA - Feria de Madrid, promises to be an unparalleled gathering of the global art community. From March 5th to March 9th, 2025, this prestigious event will showcase cutting-edge contemporary art from a diverse array of international artists, galleries, and curators. Attendees can expect a meticulously curated selection of paintings, sculptures, installations, and multimedia works that reflect the latest trends and innovations in the art world. With Madrid's rich cultural heritage serving as a backdrop, the fair will offer a unique platform for networking, dialogue, and discovery, attracting collectors, critics, and art enthusiasts from around the globe. The International Contemporary Art Fair 2025 is poised to be a landmark event, fostering connections and inspiring creativity in the heart of Spain's vibrant capital.

Arco-Madrid 2025, set to take place from March 5th to March 9th at IFEMA - Feria de Madrid in the Community of Madrid, Spain, promises to be a pivotal event in the international art calendar. This prestigious art fair will gather renowned galleries, emerging artists, and influential collectors from around the globe, fostering an environment where contemporary art thrives. With a focus on innovation and cultural exchange, Arco-Madrid 2025 will feature a diverse array of exhibitions, installations, and panel discussions, offering attendees a comprehensive view of the current art landscape. The event's strategic location in Madrid, a city known for its rich artistic heritage, further enhances its appeal, making it an unmissable occasion for art enthusiasts and professionals alike.