Featured Events in London in March, 2024 (May Updated)

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

Don't miss the highly anticipated match between Arsenal and Liverpool, live on EPL, on 4th February 2024 at Emirates Stadium in London, England. This clash between two Premier League powerhouses promises to be a thrilling encounter. Arsenal has been on an impressive undefeated run, while Liverpool is looking to close the gap in the battle for the top four. Both teams have a strong history and have had some memorable matches in the past. The game kicks off at 16:30 UTC, and it's a must-watch for football fans. Don't miss out on this exciting showdown between two of the best teams in the league. Get all the action live and stay updated with the latest scores and updates. Join us for an unforgettable match between Arsenal and Liverpool.

FA Cup 英格蘭足總盃2023/2024是一項引人註目的足球賽事，在英國的不同城市輪流舉行。活動時間從2023年11月3日持續到2024年5月25日。在2023-24賽季，共有732家俱樂部報名參加了英格蘭足總盃，全英上下的足球隊都渴望能夠奪得最後的榮譽。值得一提的是，英格蘭聯賽杯的冠軍隊伍將獲得英格蘭足球聯盟頒發的獎杯，同時也將獲得參加下一賽季歐洲聯賽的資格。 在五輪比拼、1/4決賽和半決賽的激烈競爭後，我們將在2023年5月25日迎來2023-24賽季英格蘭足總盃的決賽，這場備受矚目的比賽將在溫布利球場舉行。屆時，英超聯賽的衛冕冠軍曼城隊將與來自本地的對手曼聯隊展開一場激烈的對決，兩個強隊相遇，這場比賽。無論您是足球愛好者還是對英格蘭足球感興趣，這將是一個絕佳的機會，讓您親身體驗到英格蘭頂級球隊之間的激烈競爭。快點預訂行程，前來見證這個精彩的足球魅力時刻！

倫敦《歌聲魅影》音樂劇門票是一個不容錯過的藝術活動。這部音樂劇以其精湛的演出和令人難以忘懷的音樂而聞名於世。從2023年12月9日至2024年3月2日，在倫敦的Haymarket, St. James's, London SW1Y 4QL, UK地址上，觀眾將有機會欣賞到這部傳世之作。 倫敦《歌聲魅影》音樂劇門票以其深刻的情感和動人的故事而聞名。觀眾將跟隨主角在舞台上的成長和轉變，並沉浸於令人驚嘆的歌聲之中。從經典的歌曲到精心設計的舞台佈景，這部音樂劇將給觀眾帶來一場真正的藝術盛宴。 除了精彩的表演，倫敦《歌聲魅影》音樂劇門票的價格也非常合理，每張票價為HK$ 291。這將使更多的觀眾有機會欣賞到這部傳世之作的精彩演出。 如果您對音樂劇或是倫敦的藝術活動感興趣，倫敦《歌聲魅影》音樂劇門票絕對是您不容錯過的選擇。請在2023年12月9日至2024年3月2日期間，來到Haymarket, St. James's, London SW1Y 4QL, UK地址，享受這場令人難以忘懷的音樂之旅吧！

熱刺足球俱樂部比賽門票是一個不可錯過的藝術活動，將於2023年11月26日至2024年5月11日期間在托特納姆熱刺球場舉行。這是一個絕佳的機會，讓您身臨其境地感受熱刺足球俱樂部的比賽氛圍。票價為HK$ 874，您將享受到一場精彩的比賽和令人難忘的足球體驗。托特納姆熱刺球場將成為一個充滿活力和激情的場所，帶給您無與倫比的感受。現在就購買熱刺足球俱樂部比賽門票，盡情享受這場精彩的足球盛宴吧！

The "lululemon Marylebone Run Club - 2024 Kick Off" event will be hosted in London at the lululemon store located at 75 Marylebone High Street #74, W1U 5JR. The event is scheduled for March 24, 2024. Join the run led by Marylebone Run Ambassador Ciaran Cahill for a 5K run in Regents Park. The event will commence at 8.50 am with participants arriving at the store, followed by the run starting at 9.00 am. After the run, at 9.45 am, attendees will return to the store for connection and refreshments. The event will conclude at 10 am with an opportunity for early bird shopping before the store officially opens at 11 am. Admission to this event is free, offering a great opportunity for running enthusiasts to come together and enjoy a refreshing morning run in the heart of London.

Experience a luxurious evening of live music and dancing in the heart of London's prestigious Knightsbridge neighborhood. Join the city's most eligible professionals at Nolita Social, an elegant late-night lounge located beneath the renowned 5-star Bvlgari Hotel. Cocktails & Conversation presents an unforgettable soiree where you can let your hair down and mingle with like-minded individuals. Upon arrival, guests will be greeted with a complimentary glass of wine, served until 8:30pm, while our attentive hosts make introductions. The evening kicks off with a fabulous live band, setting the perfect ambiance for mingling and conversations. As the night progresses, a talented DJ will take the stage, keeping everyone on their feet and dancing until the early hours. With a chic and stylish dress code, this event is recommended for guests in their late 20s to mid-40s. Don't miss out on this exclusive opportunity to enjoy an evening of sophistication and entertainment. For any questions or membership inquiries, please contact gaia@cocktailsandconversation.co.uk. When public tickets are sold out, visit our website to purchase membership and secure your spot.

Witness the ultimate clash between Tottenham Hotspur and Crystal Palace live on Saturday, 2nd March 2024 at the iconic Tottenham Hotspur Stadium in London. Secure your spot for this sensational Premier League fixture and indulge in top-quality football hospitality with our exclusive Tottenham Hotspur hospitality packages for the 2023/24 season. With our premium Tottenham Hotspur tickets, you can luxuriate in unparalleled comfort with premium seating in the esteemed Level 2 of the East Stand (BLK 236 - 237), a reserved section boasting access to private lounges. Immerse yourself in the electric atmosphere of one of the finest home grounds in world football, Tottenham Hotspur's state-of-the-art £1bn new stadium, while relishing the exceptional facilities it offers. Our official Tottenham Hotspur hospitality grants you a multitude of benefits. Enjoy fast track entrance, receive a complimentary match programme, and revel in the delectable pre-match light food offerings available in the private lounge area. Indulge in a complimentary half-time drink, choosing from a selection of beer, wine, or soft drinks. As an added bonus, you may even have the opportunity to meet Spurs Legends (subject to availability), providing an unforgettable encounter with former Tottenham Hotspur players. This Tottenham Hotspur hospitality package is tailor-made for those seeking an unforgettable day at the stadium, combining the exhilarating match experience with luxurious surroundings. Don't miss out on this remarkable opportunity to be part of the action. Purchase your Tottenham Hotspur tickets for the Premier League 2023/24 season and soak up the electric atmosphere while enjoying a bespoke hospitality experience. Book your seat now for the Tottenham Hotspur v Crystal Palace showdown.

Get ready to experience the fabulous extravaganza of Ginger's Big Drag Bingo: Saturdays (Doors 6pm) Show 8-9.30pm at the prestigious Looking Glass Cocktail Club in London. This captivating arts event is set to take place on March 2, 2024, promising an unforgettable evening filled with entertainment and glamour. Located at 49 Hackney Road, London, E2 7NX, the venue sets the perfect stage for an evening of laughter, music, and excitement. The ticket prices range from £14.79 to £18.04, ensuring accessibility for all to enjoy this unique bingo show. Whether you are a seasoned bingo enthusiast or simply looking for a night out with a twist, Ginger's Big Drag Bingo is the place to be on Saturday nights. So mark your calendars, gather your friends, and get ready to be dazzled by the talent and charm of this one-of-a-kind event.

Experience the groundbreaking event, "You Slay Girl - First Ever Musical To Promote Self Defense Against Sexual Violence," taking place at Hatch End High School, Headstone Lane, Harrow, UK. This unique gathering on March 3, 2024, focuses on educating women and children on self-defence techniques through music, dance, drama, and live demonstrations. Witness women of all ages empowering themselves with self-defence skills to combat sexual violence. Attendees will have the opportunity to enjoy local delicacies, shop, and engage in a day filled with inspiration and strength. Don't miss this chance to learn, connect, and celebrate the resilience of women. Mark your calendars for an empowering event that promises to be informative and empowering. Tickets for this empowering event are available at a range of prices from £0 to £16.96. Unlock exclusive discounts by entering sponsor promocodes.

Witness the intense clash between the reigning champions of 2022 and 2023, Barts, and RUMS, as they vie for the prestigious title of the United Hospitals Cup Final 2024 - the oldest rugby cup in the world. This thrilling event is scheduled to take place in London at the renowned Rosslyn Park FC on March 8, 2024. The historic grounds of Rosslyn Park FC, located at Priory Lane, London, SW15 5JH, will set the stage for this epic battle of strength and skill. Be sure not to miss out on this exhilarating competition that promises to showcase top-tier rugby talent. Secure your tickets now for a nominal price ranging from £6.13 to £11.55 and be part of this momentous sporting event. The United Hospitals Cup Final 2024 is a must-see for all rugby enthusiasts looking to witness the pinnacle of competitive rugby in a historic setting.

Prepare to be mesmerized by the extraordinary piano skills of Hsin-I Huang at the highly anticipated 2024 Hsin-I Huang Piano Recital. This remarkable event will take place at the prestigious Leighton House Museum in London, UK. Hsin-I Huang, a renowned pianist, will captivate the audience with flawless technique and soulful interpretations, showcasing the culmination of his 2024 world tour. Having already performed in various countries such as the United States, United Kingdom, Philippines, Hong Kong, and China, this will be the last stop for Hsin-I Huang this year. Hosted by the Vision Arts Foundation, all profits from this event will be donated to the foundation. The Leighton House Museum, located in the Holland Park area of the Royal Borough of Kensington and Chelsea, is a historic house turned art museum that offers a captivating setting for this unforgettable evening. Guests are invited to explore the museum's exhibitions, with doors opening at 6:30pm, before immersing themselves in the enchanting melodies of Brahms, Schumann, and Mussorgsky in the concert hall starting at 7pm. Don't miss this opportunity to witness the virtuosity of Hsin-I Huang and mark your calendar for a truly awe-inspiring experience.

Experience an evening of music, performance, art, and immersive entertainment at the Éter Spaces closing event at Ethereal Maison in London. Taking place on March 9, 2024, at Prebend Street, N1, this unique gathering promises an experimental exhibition, live performances, and music in a private setting. Attendees will convene at Saint James' church before proceeding to the venue as part of Group 2 at 7:00 PM. RSVP is required for entry, with detailed instructions sent via email. The event will feature the sale of zines, clothing, and art, adding to the vibrant atmosphere curated by Sally and Jess. Join this exclusive evening to partake in a one-of-a-kind cultural experience, showcasing a blend of creativity and entertainment. Immerse yourself in the world of Éter Spaces, where artistry meets innovation and imagination knows no bounds.

Get ready to step into a world of rhythm and movement with the exhilarating Irish Dance Fitness Ceili Class. This one-of-a-kind arts event is set to take London by storm on March 16, 2024. Hosted at a top-secret location in the heart of the city, this unique venue is sure to add an air of excitement to the proceedings. The Irish Dance Fitness Ceili Class promises an unforgettable experience for all dance enthusiasts and fitness fanatics alike. Brace yourself for an evening filled with lively jigs, heart-pounding beats, and energetic moves that will leave you breathless. With tickets priced at an affordable €20, this is an opportunity you don't want to miss. So mark your calendars and prepare to be transported to the vibrant world of Irish dance. Whether you're a seasoned dancer or just looking for a fun way to stay fit, the Irish Dance Fitness Ceili Class is the perfect event to showcase your skills and unleash your inner dancer. Join us on this extraordinary journey and let the music guide your every step. Get your tickets now and be a part of this unforgettable celebration of Irish culture and fitness.

The highly anticipated sports event, West Ham United v Aston Villa, is set to take place in the vibrant city of London. The venue for this thrilling encounter is none other than the iconic London Stadium, located in the heart of Queen Elizabeth Olympic Park. On the momentous date of March 17, 2024, football enthusiasts from far and wide will flock to witness this epic clash between two exceptional teams. West Ham United, known for their unwavering determination and skill, will go head to head with Aston Villa, a team renowned for their strategic gameplay and resilience. The atmosphere at the London Stadium is expected to be electric, as both sets of fans will be cheering on their beloved teams with fervor. With the beautiful game at its core, this event promises to be a spectacle of passion, talent, and sheer excitement. So mark your calendars and be prepared to witness football history in the making at West Ham United v Aston Villa. Don't miss out on this unforgettable experience that will leave you on the edge of your seat, craving for more football action.

The Art History of Studio Ghibli with Helen McCarthy is an exceptional arts event that will transport attendees into the enchanting world of Studio Ghibli. Taking place at Juju's Bar and Stage in the heart of London, this event promises to be a captivating exploration of the renowned studio's artistic journey. Helen McCarthy, an esteemed expert in the field, will be guiding the audience through the rich tapestry of Studio Ghibli's art history. From the intricately hand-drawn animations to the breathtaking landscapes, attendees will gain a deeper understanding of the artistic prowess that has made Ghibli films so beloved worldwide. The event is scheduled for March 19, 2024, and tickets are available for £8.40 - £32.54, depending on seating preferences. Whether you are a die-hard fan of Studio Ghibli or simply appreciate the beauty of animation, The Art History of Studio Ghibli with Helen McCarthy is an unmissable opportunity to immerse yourself in the magic of this legendary studio. So mark your calendars and prepare to be captivated by the artistry that has inspired generations. Get your tickets now and secure your place at this extraordinary event.

Experience a unique concert on March 23rd at 6:30pm in the heart of London's Royal Borough of Kensington and Chelsea. The Tribute to Ludovico Einaudi by Mystery Ensemble will take place at the historic Kensington United Reformed Church, creating an intimate and relaxing atmosphere for music lovers. The evening's programme will feature the music of renowned Italian neoclassical composer Ludovico Einaudi, performed by the extraordinary Mystery Ensemble. Einaudi's final part of the seven-volume musical project, Seven Days Walking, will be showcased, offering delightful and beautiful sketches of nature, moods, and weather inspired by his walks through the snow-capped mountains of Switzerland. Ludovico Einaudi, a prominent representative of neoclassicism, overcame the weight of his family's achievements to establish himself as a celebrated composer. With his mother playing the piano, maternal grandfather as a composer and conductor, father as a famous book publisher, and paternal grandfather as the first president of post-war Italy, Einaudi's musical talent shines through. The Mystery Ensemble, a group of professional musicians, will create a mysterious and enchanting atmosphere through their unique connection with the surrounding architecture and lights. The installation of lights over the church's vaults and the presence of a stately pipe organ will transport the audience into the cryptic world of Ludovico Einaudi's music. Founded in 2021, the Mystery Ensemble has quickly gained recognition for their outstanding performances in non-standard venues across the UK. Their repertoire includes a wide range of music, including works from different eras, experimental compositions, tributes, and world soundtracks from films and series. The ensemble's dedication to bringing their favorite music to life is evident in their diverse and immersive shows. Don't miss this exceptional tribute to Ludovico Einaudi by the Mystery Ensemble. Immerse yourself in the creative energy and passion that drives this talented group of musicians. Experience the beauty and emotion of Einaudi's music in a truly unforgettable way. Get your tickets now for this remarkable concert at Kensington United Reformed Church in London.

Join Pillars Brewery in Walthamstow, London for an unforgettable experience watching the Rugby Six Nations. Witness the exhilarating matches between Ireland and Wales, as well as Scotland and England, live at Pillars Brewery. Immerse yourself in the electric atmosphere while enjoying £5 pints of Pilsner throughout the games. Secure your spot by booking a table with us, and as a special treat, your first round of drinks will be on us! Please note that this event is strictly for individuals aged 18 and above, and ID will be required. Come and be a part of the action at Pillars Brewery, where the passion for rugby and the love for great beer unite. Don't miss out on this fantastic opportunity - reserve your place now and create lasting memories at Pillars Brewery during the Six Nations.

The charity art exhibition, Our Home: Ukraine, showcases a diverse collection of works by contemporary Ukrainian artists. Curated by Anna Nesterenko and Anna S., this exhibition brings together artists such as Vitaly Khoma, Alina Kostrichenko, Olga Sherstyuk, Kseniia Sribna, and many others. These talented individuals have created their artworks in various mediums, exploring the concept of what it means to be Ukrainian during times of war and invasion. Some of these pieces were even crafted in bomb shelters, amidst constant shelling, while others were created in unknown locations of foreign countries. Despite the hardships, the artists have infused their artwork with hope and courage, offering a heartfelt glimpse into the struggles faced by those affected by war. From paintings to multimedia installations, these artworks depict personal journeys of adaptation, loss, and perseverance. The artists, who have been uprooted from their homes and stripped of their belongings, continue to fight, work, and create. The exhibition aims to raise awareness about the ongoing war in Ukraine and collect donations for the artists who have become refugees due to the conflict. Join the opening reception on February 24th, 2024, at The Forge Gallery, Craft Central, in London. Let us come together to appreciate the resilience and creativity of these artists as they convey their stories through art.

Join the Intro to Throwing Wednesday Eve 6 Weeks Brixton event in London at the Earthworks Ceramics Studios. This class is perfect for beginners and those with some clay making experience. Learn new techniques using stoneware clay. The class will take place on Wednesdays from 6 to 8.30 pm for 6 weeks, starting from the 28th of February to the 3rd of April. Located at Arch 45, Nursery Road, Brixton, this event provides you with the opportunity to learn how to wedge, centre, and throw on the wheel. The instructor will guide you in working the clay carefully to avoid cracks during the firings. Additionally, you'll have options for glazing. All necessary materials and firings are included in the ticket price. This 2 and a half hour class ensures a personalized experience with a maximum of 8 participants. The ceramic teacher will begin by demonstrating the steps for wedging clay and throwing a cylinder. You'll also learn how to add textures or create a smoothed finish. After a few weeks, your glazed pieces will be ready to pick up. Please arrive promptly, and remember that finished pieces must be collected from the Earthworks studio within 3 months of the class. Children under 18 must be accompanied by an adult. Don't miss this opportunity to explore the art of ceramics in a calm and supportive environment. Secure your spot today!

Join the Intro to Ceramics: Throwing & Handbuilding Wednesday evening class in London, held at the prestigious Earthworks Ceramics Studios. This six-week course, running from 28th February to 3rd April, is perfect for beginners and those with some clay-making experience. Delve into the world of stoneware clay and learn essential techniques for throwing and handbuilding. Under the guidance of our expert ceramic teacher, you will acquire the necessary skills to work with clay carefully, preventing any cracks during the firings. The classes, limited to a maximum of 8 participants, offer a two and a half hour session, providing ample individual attention. Explore various options for glazing your pieces with your choice of glaze, giving them a unique touch. The materials and firings are included in the course fee. Aprons are provided to make your experience even more enjoyable. It is important to note that all finished pieces must be picked up from the Earthworks studio within 3 months of the class. Please ensure you can attend the selected dates, as refunds or transfers are not available. Children under 18 must be accompanied by an adult. Don't miss this opportunity to learn new ceramic techniques and create beautiful works of art. Register now for the Intro to Ceramics: Throwing & Handbuilding Wednesday evening class in Brixton, London.

Willem Hussem (1900-1974) was a renowned Dutch artist & poet who continuallyexperimented and produced highly diverse works of art, including painting, drawingand sculpture. A constant aspiration towards simplicity and purity underlies hisentire oeuvre. It was in Zen Bhuddism that he found the intellectual basis for theuniversalistic outlook on the world that would determine his thought and work. Throughout his life Hussem was in search of a manner of working that tied in withhis philosophical views. In poetry, he found this in short lyrics, while in art he initiallyfound it in a style that steered a middle path between expressionism andconstructivism, and finally in geometrical abstraction. This exhibition is the fourth exhibition in VITRINE’s gallery collaboration programme in the Bermondsey, London, space. The show coincides with a presentation of Hussem’s work by Dürst Britt & Mayhew at TEFAF Maastricht 2024. During his lifetime Willem Hussem had solo exhibitions at Gemeentemuseum in DenHaag, Museum Het Princessehof in Leeuwarden and Stedelijk Museum in Schiedamand participated in major group exhibitions in Museum Boijmans van Beuningen inRotterdam, Van Abbemuseum in Eindhoven and Stedelijk Museum in Amsterdam. Healso exhibited twice at the Carnegie International in Pittsburgh, US. In 1960 WillemHussem represented The Netherlands at the Venice Biennial. After Hussem’s death in 1974, the ‘Hussem Committee’, which consisted of influentialartists, art historians and museum directors, kept his legacy alive. Retrospectiveswere mounted at Museum Boijmans van Beuningen in Rotterdam, Centraal Museumin Utrecht, Rijksmuseum Twenthe in Enschede, Museum Dordrecht and MuseumBelvedere in Oranjewoud. Willem Hussem’s work has recently been shown at PS Project Space in Amsterdam,Artissima in Turin, Museum Jan Cunen in Oss and Proyecto Paralelo in Mexico City. In2021 Dürst Britt & Mayhew mounted a retrospective at Pulchri Studio in The Haguewith loans from museums, corporate and private collections. Willem Hussem’s work is held in many private and public collections, includingCentraal Museum, Utrecht: Gemeentemuseum, Den Haag; Museum Boijmans vanBeuningen, Rotterdam; Stedelijk Museum, Amsterdam; and the AKZO Nobel ArtFoundation, Amsterdam.