Featured Events in Athens in May, 2024 (May Updated)

Until November 2024, the National Museum of Contemporary Art (EMΣT) presents a cycle of exhibitions, in four parts, exclusively dedicated to the work of women artists or artists who identify as female, under the broader umbrella title, What if Women Ruled the World? On 8 March 2024, International Women’s Day, Part II of the exhibition cycle opened with six new projects by five international artists: Yael Bartana Claudia Comte Hadassah Emmerich Lola Flash Malvina Panagiotidi ___________________________________ Hadassah Emmerich | Epicurean Eden WHAT IF WOMEN RULED THE WORLD? Part || The mural will debut as part of the ‘What If Women Ruled the World’ Part II exhibition cycle, but will remain on display at the museum for a couple of years. Furthermore, the project is slated for completion in June, ideally aligning with the inauguration of ‘What If Women Ruled the World’ Part IV. Notably, the installation will include then specially crafted art rugs developed in collaboration with Art Rug Projects Athens. Hadassah Emmerich has become known for her exuberant paintings, collages and murals that intricately weave stylised representations of exotic fruit, body parts and vegetal elements into bold eroticised ornaments. Her work reflects an immersive and visceral exploration of the body and identity, navigating the realms of the sensory and the sensual while delving into the commodification of desire, the erotic and the exotic. The sensuality of her painting resides not only on the surface of the image, but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that examine the aestheticisation of the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. For the first presentation of her work in Greece, Emmerich has created a new large-scale, site-specific expansive wall painting which covers part of the museum’s ground floor foyer and mezzanine, taking over its entire education space. Consisting of several murals, a large frieze on the balcony of the mezzanine that connects to the ground floor and mezzanine, and several murals on the latter, including two monumental columns and sitting areas, the result is an immersive and colourful Gesamtkunstwerk. About Hadassah Emmerich *Heerlen (NL), 1974 Lives and works in Brussels Hadassah Emmerich studied at the Academy of Fine Arts in Maastricht, HISK Flanders and Goldsmiths College, London. Recent exhibitions include: Skin of the Shapeshifter, SUPRAINFINIT, Bucharest (2023); Botanical Body Bliss, Galerie Ron Mandos Amsterdam (2023); False Flat, Bonnefanten Museum, Maastricht (2022); Abrasive Paradise, Kunsthal KAdE, Amersfoort, NL (2022); Trailblazers, 150 years Royal Award for Painting, Royal Palace, Amsterdam (2021); BXL Universel II: multipli.city, CENTRALE for Contemporary Art, Brussels (2021), BuahTangan, ISA Art Gallery, Jakarta (2020); The Great Ephemeral Skin, De Garage, Mechelen (2019). Her work is held in numerous public collections including the Rijksmuseum, Amsterdam, the Bonnefanten Museum, Maastricht, MuZee, Oostende, The Flemish Parliament and the Federal Government Collections, Brussels, Gemeentemuseum and the Ministry of Foreign Affairs, The Hague and the Museum for Modern Art, Arnhem, NL. Hadassah Emmerich’s art is a multifaceted exploration that transcends conventional boundaries, inviting viewers into a world where sensuality, feminism, and identity intersect. With a commitment to pushing the limits of her creative process and addressing urgent themes with depth and self-awareness, Emmerich stands as a visionary artist shaping the contemporary art landscape. Body and identity, the sensory and the sensual, the commodification of the erotic and the exotic: these are frequently recurring themes in Hadassah Emmerich’s work. The sensuality of her painting resides not only on the surface of the (erotic) image but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that both aestheticise and problematize the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. In this way, Emmerich succeeds in making the act of looking truly provocative. - Nina Folkersma About EMΣT | The National Museum of Contemporary Art Athens EMΣT | The National Museum of Contemporary Art Athens is the leading national institution for contemporary art and visual culture in Greece, and one of the flagship institutions in Southern Europe and the Eastern Mediterranean. It began its operation in 2000. In the first years of its existence, it was a nomadic institution, hosted by institutions such as the Athens Concert Hall and the Athens Conservatoire, as its new home – the former Athenian landmark, the industrial modernist FIX brewery – was being retrofitted as a state-of-the art contemporary art museum. In 2015 it moved into its new premises while in 2020, a part of its collection was installed and EMΣT finally opened to the public. SUPPORTED BY The exhibition Hadassah Emmerich forms part of the Residency Program of the Project SUB 6.4, “Actions to promote Greek cultural exports and strengthen the Greek cultural name by the National Museum of Contemporary Art Athens”, which is implemented within the framework of the National Recovery and Resilience Plan “Greece 2.0”, funded by the European Union – NextGenerationEU. Hadassah Emmerich’s project is supported by the Mondriaan Fund.

Until November 2024, the National Museum of Contemporary Art (EMΣT) presents a cycle of exhibitions, in four parts, exclusively dedicated to the work of women artists or artists who identify as female, under the broader umbrella title, What if Women Ruled the World? On 8 March 2024, International Women’s Day, Part II of the exhibition cycle opened with six new projects by five international artists: Yael Bartana Claudia Comte Hadassah Emmerich Lola Flash Malvina Panagiotidi ___________________________________ Hadassah Emmerich | Epicurean Eden WHAT IF WOMEN RULED THE WORLD? Part || The mural will debut as part of the ‘What If Women Ruled the World’ Part II exhibition cycle, but will remain on display at the museum for a couple of years. Furthermore, the project is slated for completion in June, ideally aligning with the inauguration of ‘What If Women Ruled the World’ Part IV. Notably, the installation will include then specially crafted art rugs developed in collaboration with Art Rug Projects Athens. Hadassah Emmerich has become known for her exuberant paintings, collages and murals that intricately weave stylised representations of exotic fruit, body parts and vegetal elements into bold eroticised ornaments. Her work reflects an immersive and visceral exploration of the body and identity, navigating the realms of the sensory and the sensual while delving into the commodification of desire, the erotic and the exotic. The sensuality of her painting resides not only on the surface of the image, but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that examine the aestheticisation of the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. For the first presentation of her work in Greece, Emmerich has created a new large-scale, site-specific expansive wall painting which covers part of the museum’s ground floor foyer and mezzanine, taking over its entire education space. Consisting of several murals, a large frieze on the balcony of the mezzanine that connects to the ground floor and mezzanine, and several murals on the latter, including two monumental columns and sitting areas, the result is an immersive and colourful Gesamtkunstwerk. About Hadassah Emmerich *Heerlen (NL), 1974 Lives and works in Brussels Hadassah Emmerich studied at the Academy of Fine Arts in Maastricht, HISK Flanders and Goldsmiths College, London. Recent exhibitions include: Skin of the Shapeshifter, SUPRAINFINIT, Bucharest (2023); Botanical Body Bliss, Galerie Ron Mandos Amsterdam (2023); False Flat, Bonnefanten Museum, Maastricht (2022); Abrasive Paradise, Kunsthal KAdE, Amersfoort, NL (2022); Trailblazers, 150 years Royal Award for Painting, Royal Palace, Amsterdam (2021); BXL Universel II: multipli.city, CENTRALE for Contemporary Art, Brussels (2021), BuahTangan, ISA Art Gallery, Jakarta (2020); The Great Ephemeral Skin, De Garage, Mechelen (2019). Her work is held in numerous public collections including the Rijksmuseum, Amsterdam, the Bonnefanten Museum, Maastricht, MuZee, Oostende, The Flemish Parliament and the Federal Government Collections, Brussels, Gemeentemuseum and the Ministry of Foreign Affairs, The Hague and the Museum for Modern Art, Arnhem, NL. Hadassah Emmerich’s art is a multifaceted exploration that transcends conventional boundaries, inviting viewers into a world where sensuality, feminism, and identity intersect. With a commitment to pushing the limits of her creative process and addressing urgent themes with depth and self-awareness, Emmerich stands as a visionary artist shaping the contemporary art landscape. Body and identity, the sensory and the sensual, the commodification of the erotic and the exotic: these are frequently recurring themes in Hadassah Emmerich’s work. The sensuality of her painting resides not only on the surface of the (erotic) image but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that both aestheticise and problematize the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. In this way, Emmerich succeeds in making the act of looking truly provocative. - Nina Folkersma About EMΣT | The National Museum of Contemporary Art Athens EMΣT | The National Museum of Contemporary Art Athens is the leading national institution for contemporary art and visual culture in Greece, and one of the flagship institutions in Southern Europe and the Eastern Mediterranean. It began its operation in 2000. In the first years of its existence, it was a nomadic institution, hosted by institutions such as the Athens Concert Hall and the Athens Conservatoire, as its new home – the former Athenian landmark, the industrial modernist FIX brewery – was being retrofitted as a state-of-the art contemporary art museum. In 2015 it moved into its new premises while in 2020, a part of its collection was installed and EMΣT finally opened to the public. SUPPORTED BY The exhibition Hadassah Emmerich forms part of the Residency Program of the Project SUB 6.4, “Actions to promote Greek cultural exports and strengthen the Greek cultural name by the National Museum of Contemporary Art Athens”, which is implemented within the framework of the National Recovery and Resilience Plan “Greece 2.0”, funded by the European Union – NextGenerationEU. Hadassah Emmerich’s project is supported by the Mondriaan Fund.

Experience the enchanting world of Wonderland at the Spring Recital hosted at Tennessee Wesleyan University in Athens. Join Alice on her mesmerizing journey through the rabbit hole on Friday, May 24th, 2024, at the Townsend Auditorium. Doors will open at 5:30 pm, with the captivating show commencing promptly at 6:30 pm. Immerse yourself in a magical evening filled with wonder and delight. Tickets for this extraordinary event range from $13.73 to $19.59, offering an affordable opportunity to witness a spectacular performance. Don't miss this chance to be transported to a whimsical realm where imagination knows no bounds. Mark your calendars and secure your seats for an unforgettable experience at the Wonderland - Spring Recital.

The International Conference on Nursing 2024 aims to unite academics and researchers in the field of nursing and its associated disciplines. This esteemed gathering will bring together experts from various areas such as Nursing Education, Neonatal, Advocate, Pain Management, Psychiatric, Trauma, Travel Nurse, Pediatric, Geriatric, Public Health, Midwife, Nurse, Clinical, Critical Care, Health Policy, and Informatics. The event will take place in the beautiful city of Athens, Greece, at the prestigious Athens Institute For Education and Research, located at Valaoritou 8, Athina 106 71. The conference is scheduled to be held from May 6th to May 9th, 2024. This international conference offers a unique platform for nursing professionals and researchers to exchange knowledge, discuss the latest advancements, and explore new opportunities in the field. Attendees will have the opportunity to network with like-minded individuals, learn from renowned experts, and contribute to the advancement of nursing practices worldwide. With its focus on a wide range of nursing topics, including education, specialized care, and healthcare policy, this conference promises to be a valuable experience for all participants. Join this prestigious event and be a part of the International Conference on Nursing 2024 in Athens. Mark your calendars and get ready for an enriching and inspiring gathering that will shape the future of nursing.

The International Conference on Communication and Mass Media is an esteemed event that serves as a platform for academics and researchers from all around the globe to convene in Athens. Taking place at the Athens Institute For Education and Research, this conference offers a unique opportunity for participants to exchange ideas, present their research findings, and delve into future advancements in their respective disciplines. By engaging with professionals from various fields, attendees can broaden their knowledge and gain valuable insights. From May 13th to May 16th, 2024, this conference will foster collaboration and promote intellectual discourse, all while surrounded by the rich history and vibrant atmosphere of Athens. Join this gathering of minds and contribute to the advancement of communication and mass media research.

Mark your calendars for the highly anticipated ATHENS SHOWGIRL CABARET DRAG BRUNCH in Athens, GA. This captivating event will take place at Hendershot's on 237 Prince Avenue on May 19, 2024. Immerse yourself in a fabulous experience starting at 11 am when the doors open, with the show commencing at 12 pm. Indulge in a delectable menu featuring Eggs, Bacon, Soysage, Home Fries, Biscuits and Gravy, and Fruit. Your meal includes Juice, Tea, and Coffee, all for just $35 per ticket. For guests 21 and over, tantalizing Bar drinks like Bloody Mary's and Mimosas will be available for an additional cost. Secure your spot early as tickets are limited and will be allocated on a first-come, first-served basis. Don't miss this opportunity to enjoy a delightful brunch while being entertained by Athens' finest drag performers.