Featured Events in Paris in October, 2024 (May Updated)

Almine Rech Paris pressents its 12th exhibition with James Turrell, over 3 decades. A new light piece is on view from the artist's ongoing Glasses series, begun in 2004.

Works by 17 Perrotin artists have entered the collection of the Musée National d’Art Moderne–Centre Georges Pompidou through a joint donation by the gallery and its artists. 23 exceptional artworks have been given by Perrotin and Jean-Marie Appriou, Genesis Belanger, Sophie Calle, Maurizio Cattelan, Johan Creten, Elmgreen & Dragset, Lionel Estève, Bernard Frize, Laurent Grasso, JR, Bharti Kher, Klara Kristalova, Takashi Murakami, Jean- Michel Othoniel, Paola Pivi, Tavares Strachan, and Emma Webster to the Musée National d’Art Moderne–Centre Georges Pompidou.

Recognized as one of the leading voices of his generation,Rashid Johnson’s new works in this exhibition at ourParis gallery, which span painting, sculpture and film, demonstrate the artist’s longstanding interest in the concepts of interiority and self-reflection. The exhibition marks the gallery debut of two new bodies of painting, the closely-related Soul Paintings and God Paintings, both series that Johnson has developed over the past year. Alongside and evolving out of the works on canvas are two new series of bronze sculptures, their roughly-modeled surfaces bearing witness to the artist’s hand in a way that has dominated his sculptural practice in recent years. Also on display is the artist’s latest film, ‘Sanguine,’ exploring relationships of attention and care among three generations of the artist's family: his father, himself and his son. Continuing to expand his distinctive visual lexicon, this exhibition exemplifies the artist’s interest in animism, the belief in which all things, including inanimate objects, have souls. Through the concept of animism, the artist connects to a reality beyond the physical, building an expansive vision of the universe in which all objects, including the paintings and sculptures on view, are imbued with spiritual life.

Gagosian is pleased to announce Maison Ancart, an exhibition of new paintings by Harold Ancart, opening on October 14, 2024, at 4 rue de Ponthieu. The paintings in Maison Ancart are conceived in conversation with the spirit of radical freedom and innovation put forth by pioneering abstractionists, from the Post-Impressionists and the School of Paris to postwar American artists, among others. The trees, meadows, ponds, mountains, and other features operate as archetypal forms that Ancart revisits throughout this body of work. According to the artist, these subjects serve as an “alibi” for painting, providing a platform through which he can experiment with paint. Ancart develops his paintings with the medium of oil stick, using saturated colors and boldly defined forms to picture imagined places abstracted from landscape motifs. He emphasizes the primacy of his artmaking process, defining his subjects to alternately anchor the compositions and disrupt their stability. The viewpoints established are from below or straight on, emphasizing their scale and the artist’s negotiation of surface and depth, abstraction and representation. Made with attention to the boundaries between forms and their contours, the paintings are unified by Ancart’s articulation of horizons through juxtapositions of color, offering through lines across the canvases.

Skarstedt presents Andy Warhol: Who is Who?, an exhibition that delves into the myriad influences art history had on Warhol’s oeuvre. This exhibition traces his art historical appropriations throughout the 1970s and 1980s, featuring seminal examples of works from series such as Heads (After Picasso), The Last Supper, Mona Lisa, After de Chirico, and The Scream (After Edvard Munch). By holistically examining Warhol’s dialogues with art history, Who is Who? offers new insight into Warhol’s interests: his relationship to icons, both religious and secular; his collapsing of the boundaries between high and low; his interest in mass reproduction; and his perceived place within this grand lineage. The exhibition will be accompanied by a publication authored by Bernard Blistène.

Galerie Max Hetzler presents In the Altogether, Glenn Brown’s seventh solo exhibition with the gallery, and the second in the Paris space. Furthering the artist’s ongoing dialogue between antiquity and modernity, ingenuity and appropriation, the beautiful and the grotesque, Brown presents a new body of paintings of the human form, where dichotomous worlds collapse and collide.

Works by 17 Perrotin artists have entered the collection of the Musée National d’Art Moderne–Centre Georges Pompidou through a joint donation by the gallery and its artists. 23 exceptional artworks have been given by Perrotin and Jean-Marie Appriou, Genesis Belanger, Sophie Calle, Maurizio Cattelan, Johan Creten, Elmgreen & Dragset, Lionel Estève, Bernard Frize, Laurent Grasso, JR, Bharti Kher, Klara Kristalova, Takashi Murakami, Jean- Michel Othoniel, Paola Pivi, Tavares Strachan, and Emma Webster to the Musée National d’Art Moderne–Centre Georges Pompidou.

Almine Rech Paris pressents its 12th exhibition with James Turrell, over 3 decades. A new light piece is on view from the artist's ongoing Glasses series, begun in 2004.

A&R Fleury gallery is pleased to present “Vieira da Silva / Penalba. The Path to Consecration”, an exhibition curated by Victoria Giraudo.

A&R Fleury gallery is pleased to present “Vieira da Silva / Penalba. The Path to Consecration”, an exhibition curated by Victoria Giraudo.

GALLERIA CONTINUA presents in its exhibition space in Paris, in the heart of the Marais, a new solo exhibition by Michelangelo Pistoletto, titled Nouvelle perspective (New perspective).

Recognized as one of the leading voices of his generation,Rashid Johnson’s new works in this exhibition at ourParis gallery, which span painting, sculpture and film, demonstrate the artist’s longstanding interest in the concepts of interiority and self-reflection. The exhibition marks the gallery debut of two new bodies of painting, the closely-related Soul Paintings and God Paintings, both series that Johnson has developed over the past year. Alongside and evolving out of the works on canvas are two new series of bronze sculptures, their roughly-modeled surfaces bearing witness to the artist’s hand in a way that has dominated his sculptural practice in recent years. Also on display is the artist’s latest film, ‘Sanguine,’ exploring relationships of attention and care among three generations of the artist's family: his father, himself and his son. Continuing to expand his distinctive visual lexicon, this exhibition exemplifies the artist’s interest in animism, the belief in which all things, including inanimate objects, have souls. Through the concept of animism, the artist connects to a reality beyond the physical, building an expansive vision of the universe in which all objects, including the paintings and sculptures on view, are imbued with spiritual life.

Skarstedt presents Andy Warhol: Who is Who?, an exhibition that delves into the myriad influences art history had on Warhol’s oeuvre. This exhibition traces his art historical appropriations throughout the 1970s and 1980s, featuring seminal examples of works from series such as Heads (After Picasso), The Last Supper, Mona Lisa, After de Chirico, and The Scream (After Edvard Munch). By holistically examining Warhol’s dialogues with art history, Who is Who? offers new insight into Warhol’s interests: his relationship to icons, both religious and secular; his collapsing of the boundaries between high and low; his interest in mass reproduction; and his perceived place within this grand lineage. The exhibition will be accompanied by a publication authored by Bernard Blistène.

A&R Fleury gallery is pleased to present “Vieira da Silva / Penalba. The Path to Consecration”, an exhibition curated by Victoria Giraudo.

Galerie Max Hetzler presents In the Altogether, Glenn Brown’s seventh solo exhibition with the gallery, and the second in the Paris space. Furthering the artist’s ongoing dialogue between antiquity and modernity, ingenuity and appropriation, the beautiful and the grotesque, Brown presents a new body of paintings of the human form, where dichotomous worlds collapse and collide.

GALLERIA CONTINUA presents in its exhibition space in Paris, in the heart of the Marais, a new solo exhibition by Michelangelo Pistoletto, titled Nouvelle perspective (New perspective).

Recognized as one of the leading voices of his generation,Rashid Johnson’s new works in this exhibition at ourParis gallery, which span painting, sculpture and film, demonstrate the artist’s longstanding interest in the concepts of interiority and self-reflection. The exhibition marks the gallery debut of two new bodies of painting, the closely-related Soul Paintings and God Paintings, both series that Johnson has developed over the past year. Alongside and evolving out of the works on canvas are two new series of bronze sculptures, their roughly-modeled surfaces bearing witness to the artist’s hand in a way that has dominated his sculptural practice in recent years. Also on display is the artist’s latest film, ‘Sanguine,’ exploring relationships of attention and care among three generations of the artist's family: his father, himself and his son. Continuing to expand his distinctive visual lexicon, this exhibition exemplifies the artist’s interest in animism, the belief in which all things, including inanimate objects, have souls. Through the concept of animism, the artist connects to a reality beyond the physical, building an expansive vision of the universe in which all objects, including the paintings and sculptures on view, are imbued with spiritual life.

Almine Rech Paris pressents its 12th exhibition with James Turrell, over 3 decades. A new light piece is on view from the artist's ongoing Glasses series, begun in 2004.

Joyful Sorrow, Chris Ofili's first solo presentation in France, comprises a new series of paintings, titled Othello—Shroud, which develops the artist’s relationship with William Shakespeare’s The Tragedy of Othello, the Moor of Venice (1603–04). This two-site exhibition is staged in partnership with Victoria Miro, which presents its other constitutive iteration, featuring a series of works on paper titled Othello—Reflection, in its Venice gallery from October 26 to December 14, 2024. These exhibitions are commemorated with a joint publication in collaboration with the scholar, poet, and writer Jason Allen-Paisant, available to preorder now.《欢乐的悲伤》是克里斯·奥菲利在法国的首次个人展览，包括一系列名为《奥赛罗——裹尸布》的新画作，这些画作发展了艺术家与威廉·莎士比亚的《威尼斯摩尔人奥赛罗的悲剧》（1603-04 年）的关系。这场跨两个场地的展览与维多利亚·米罗画廊合作举办，维多利亚·米罗画廊将于 2024 年 10 月 26 日至 12 月 14 日在其威尼斯画廊展出其另一项组成性展览，展出一系列名为《奥赛罗——反思》的纸上作品。为纪念这些展览，与学者、诗人和作家杰森·艾伦-佩桑特合作出版了一本联合出版物，现在可以预订。

Skarstedt presents Andy Warhol: Who is Who?, an exhibition that delves into the myriad influences art history had on Warhol’s oeuvre. This exhibition traces his art historical appropriations throughout the 1970s and 1980s, featuring seminal examples of works from series such as Heads (After Picasso), The Last Supper, Mona Lisa, After de Chirico, and The Scream (After Edvard Munch). By holistically examining Warhol’s dialogues with art history, Who is Who? offers new insight into Warhol’s interests: his relationship to icons, both religious and secular; his collapsing of the boundaries between high and low; his interest in mass reproduction; and his perceived place within this grand lineage. The exhibition will be accompanied by a publication authored by Bernard Blistène.

Gagosian is pleased to announce Maison Ancart, an exhibition of new paintings by Harold Ancart, opening on October 14, 2024, at 4 rue de Ponthieu. The paintings in Maison Ancart are conceived in conversation with the spirit of radical freedom and innovation put forth by pioneering abstractionists, from the Post-Impressionists and the School of Paris to postwar American artists, among others. The trees, meadows, ponds, mountains, and other features operate as archetypal forms that Ancart revisits throughout this body of work. According to the artist, these subjects serve as an “alibi” for painting, providing a platform through which he can experiment with paint. Ancart develops his paintings with the medium of oil stick, using saturated colors and boldly defined forms to picture imagined places abstracted from landscape motifs. He emphasizes the primacy of his artmaking process, defining his subjects to alternately anchor the compositions and disrupt their stability. The viewpoints established are from below or straight on, emphasizing their scale and the artist’s negotiation of surface and depth, abstraction and representation. Made with attention to the boundaries between forms and their contours, the paintings are unified by Ancart’s articulation of horizons through juxtapositions of color, offering through lines across the canvases.

Joyful Sorrow, Chris Ofili's first solo presentation in France, comprises a new series of paintings, titled Othello—Shroud, which develops the artist’s relationship with William Shakespeare’s The Tragedy of Othello, the Moor of Venice (1603–04). This two-site exhibition is staged in partnership with Victoria Miro, which presents its other constitutive iteration, featuring a series of works on paper titled Othello—Reflection, in its Venice gallery from October 26 to December 14, 2024. These exhibitions are commemorated with a joint publication in collaboration with the scholar, poet, and writer Jason Allen-Paisant, available to preorder now.《欢乐的悲伤》是克里斯·奥菲利在法国的首次个人展览，包括一系列名为《奥赛罗——裹尸布》的新画作，这些画作发展了艺术家与威廉·莎士比亚的《威尼斯摩尔人奥赛罗的悲剧》（1603-04 年）的关系。这场跨两个场地的展览与维多利亚·米罗画廊合作举办，维多利亚·米罗画廊将于 2024 年 10 月 26 日至 12 月 14 日在其威尼斯画廊展出其另一项组成性展览，展出一系列名为《奥赛罗——反思》的纸上作品。为纪念这些展览，与学者、诗人和作家杰森·艾伦-佩桑特合作出版了一本联合出版物，现在可以预订。

Joyful Sorrow, Chris Ofili's first solo presentation in France, comprises a new series of paintings, titled Othello—Shroud, which develops the artist’s relationship with William Shakespeare’s The Tragedy of Othello, the Moor of Venice (1603–04). This two-site exhibition is staged in partnership with Victoria Miro, which presents its other constitutive iteration, featuring a series of works on paper titled Othello—Reflection, in its Venice gallery from October 26 to December 14, 2024. These exhibitions are commemorated with a joint publication in collaboration with the scholar, poet, and writer Jason Allen-Paisant, available to preorder now.《欢乐的悲伤》是克里斯·奥菲利在法国的首次个人展览，包括一系列名为《奥赛罗——裹尸布》的新画作，这些画作发展了艺术家与威廉·莎士比亚的《威尼斯摩尔人奥赛罗的悲剧》（1603-04 年）的关系。这场跨两个场地的展览与维多利亚·米罗画廊合作举办，维多利亚·米罗画廊将于 2024 年 10 月 26 日至 12 月 14 日在其威尼斯画廊展出其另一项组成性展览，展出一系列名为《奥赛罗——反思》的纸上作品。为纪念这些展览，与学者、诗人和作家杰森·艾伦-佩桑特合作出版了一本联合出版物，现在可以预订。

Galerie Max Hetzler presents In the Altogether, Glenn Brown’s seventh solo exhibition with the gallery, and the second in the Paris space. Furthering the artist’s ongoing dialogue between antiquity and modernity, ingenuity and appropriation, the beautiful and the grotesque, Brown presents a new body of paintings of the human form, where dichotomous worlds collapse and collide.

Rendez-vous 5 min avant le début de la visite devant l'espace d'exposition, au Niveau 2. © 1994 Cong S.A. Suisse - Tous droits réservés. Information Source: Bibliothèque publique d'information | eventbrite

Mitterrand gallery presents its very first exhibition at 95 rue du Faubourg Saint-Honoré, History is round like the Earth by Chilean artist Roberto Matta. The exhibition brings together some thirty works - paintings, sculptures and drawings - covering each decade from the 1930s to the 1990s. An original text by American art historian Terri Geis will also be published for the occasion.

The great Scandinavian troublemakers of contemporary art, Elmgreen & Dragset are invited to place their poetic sculptures in dialogue with the iconic Nave of Sculptures of the Musée d’Orsay. Their exhibitions are always situated at the crossroads of performance, space and sculpture. The presentation they have created specifically for the Musée d’Orsay will shake up the gaze of visitors, invited to dive into a museum turned upside down.

卡諾的約會 2024將於2024年10月15日至16日在法國巴黎的法蘭西島隆重舉行。這一盛會匯聚了來自全球的專業人士和業界領袖，旨在探討最新的科技創新和行業趨勢。活動地點位於巴黎市中心，這座歷史悠久且充滿藝術氣息的城市將為參與者提供獨特的文化體驗。 卡諾的約會 2024不僅是一個交流平台，更是一個促進合作與創新的重要契機。參與者將有機會參加多場專題演講、工作坊和圓桌討論，深入了解行業的前沿動態。此外，活動還設有展覽區，展示最新的技術產品和解決方案，為企業提供展示和推廣的機會。 巴黎作為活動的舉辦地，擁有豐富的歷史和文化遺產，參與者可以在活動之餘探索這座城市的魅力。從埃菲爾鐵塔到羅浮宮，從塞納河畔的浪漫漫步到香榭麗舍大街的繁華景象，巴黎將為每一位參與者帶來難忘的回憶。 總結來說，卡諾的約會 2024是一個不容錯過的行業盛會，無論是尋求最新資訊、拓展人脈還是探索合作機會，這裡都將為您提供豐富的資源和無限的可能性。立即標記您的日曆，準備迎接這場知識與創新的饗宴。

Perrotin is pleased to present a solo exhibition by Takashi Murakami at 2bis avenue Matignon. The gallery is part of the new association Matignon Saint-Honoré which gathers a selection of galleries from the 8th district.

From October 15, 2024 to January 19, 2025, the Musée national Picasso-Paris presents a new temporary exhibition devoted to the American artist Jackson Pollock. First exhibition in France since 2008, it will focus on his early works, from 1934 to 1947. The exhibition "Jackson Pollock: The Early Years (1934-1947)" revisits the early career of Jackson Pollock (1912-1956), marked by the influence of regionalism and Mexican muralists, right up to his first drippings in 1947. This body of work, rarely exhibited for its own sake, bears witness to the diverse sources that nourished the young artist's research, crossing the influence of native American arts with that of the European avant-gardes, among which Pablo Picasso figures prominently. Compared to the Spanish painter and the great names of European painting by the critics, Pollock was quickly established as a true monument of American painting, and in so doing, isolated from the more complex networks of exchanges of influences that nourished his work during his New York years. The exhibition aims to present in detail these years, which were the laboratory for his work, by restoring the artistic and intellectual context from which both were nourished. The exhibition focuses on several key moments in the young Pollock's artistic and intellectual development during these years of experimentation. By calling on key figures in his artistic career (Charles Pollock, William Baziotes, Lee Krasner, André Masson, Pablo Picasso, Janet Sobel...), the exhibition highlights the intensity and singularity of his work in its various dimensions (painting and working with materials, printmaking, sculpture).